fourpointedstar

What can you do with Lines?

If you attend more than one photography presentation, you’re bound to hear “use leading lines” in some fashion. But how do you use lines in a photograph?

Are they boundaries meant to hold you in the image?
Are they pathways meant to draw you into the image?
Or perhaps they highlight a certain part of the image?

As I work more and more to define the why of how I shoot the way I shoot, I find myself wondering how I am using various items in my photograph. Most of us compose subconsciously with our subconscious forming an image out of the abstract world that we live in. The issue is – our subconscious isn’t that great at drawing rectangles; it’s not that great at noticing the distractions that are in that rectangle; and since our eyes see so much better than our cameras, our subconscious isn’t able to balance light and dark.

So back to lines, I’ve found that if I intentionally look for lines – leading lines, boxes, or highlights – I create better images that are easier to edit. After all, the creative process doesn’t end with pressing the shutter button; but that’s a topic for another day.

What makes a waterfall a “waterfall”? Jelkes Creek doesn’t have enough elevation change to create a falls through its meandering path in Sleepy Hollow and Dundee Township to create much besides bogs and marshes. I would guess that this damn & spillway were created as a control point for Jelkes Creek as it flows under Hwy 31. What I find most interesting is that I’ve driven by Lake Beatrice for over 15 years and missed that this spillway existed the entire time.

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The first few weeks that my daughter had classes at Elgin Community College, I wandered all over the campus taking photos. ECC has some very interesting and varied architecture, but it’s easy to photograph beautiful designs.

What about the boring stuff? What about mirrors, bathrooms, or chairs? Could I make interesting photos of the regular items?

I do like these photos, but … (see previous post)

I don’t click the shutter button nearly as often as I used to; it’s not that I don’t take my camera out as much, it’s that I take fewer photos overall but have a higher percentage of photos that I like. Most often, I know before I click if the photo will be worthwhile, and I’m much more willing to wait for the right shot, scene, or composition. In short, I’m much less “spray and pray” with the shutter button that I used to be.

But barns? I found it very difficult to find inspiration and compositions with the barns and other abandoned structures on our trip. It’s not that the buildings weren’t interesting; it’s that I haven’t developed the mind’s eye for it. Once I brought the images into Lightroom, I couldn’t “see” why I took the photo to begin with – or worse – I could see and now I thought it was weak or absent.

Perhaps I need more practice (I do), but as I mentioned before; there’s only so much time to take pictures, and maybe I’d rather spend it with the subjects and scenes that I already love.

At some point in life, most of us realize that we don’t have time for everything that we’re interested in – we’re forced to drop a hobby because we don’t have time.

Photography reached that point for me a few years back; I used to photograph anything, but I discovered that I wouldn’t edit certain photoshoots or would be annoyed at editing certain shoots. I enjoy certain subject matter and certain photo topics and would like to spend more time with those.

Old, abandoned buildings is one of those topics; it’s not that I don’t like the photos that I come up with, it’s that I’d rather be photographing something else. This was true on our trip to Southern Illinois with Keith French; on two days, we visited abandoned churches and barns, and I found myself wanting to wander through the woods instead.

I do like these photos, but …

Each time that I explore a new area of Chicago, new details come to life. I’ve noticed that many of the historic buildings around Chicago have these bay windows often similar in style to the “Chicago Window” on them; but as I walked between the Fisher and Monadnock Buildings and then looked down the street, I noticed that this small area had many different examples of these historic bay windows on tall, early skyscrapers.

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Equally interesting are the exterior fire escapes on many of the older buildings. I know that there fire escapes will lend themselves to great photos, but I’m still searching for those images.

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Parking garages offer unique views of Chicago, so anytime that I park in a garage, I walk down the staircase. On my way to visit a client, I saw spotted this puddle’s reflection and in my mind, I wandered off to what I could create with just a boring staircase.
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What do you SEE as you walk around your daily life? A photographer friend of mine recently asked about taking photos of another artist’s work; but in reality, aren’t photographers normally taking photos of other artist’s work? Even nature photographers are taking photos of mother nature’s work, right?

A craftsman who creates an object out of paint, clay, wood, stone, or metal can claim originality, but most of us are taking photos of something we didn’t create; instead we are creating art by adding or interpreting the existing environment or material.

With that in mind, go around your home and create art by adding or interpreting your own personal environment.

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>other images<
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In the last ten years, I have had the opportunity to photograph several dance festivals. Over those events, I have discovered a difficulty with photographing modern dance – modern dancers are less likely to perform a particular jump at a particular time in the musical score; their movement is often more like a twisting stream than a waterfall. As I watched the various performances at Side Street’s Going Dutch Festival this past November, I realized that a long exposure could reflect the beauty of the performer’s dance and expression; as short as a tenth of a second up to a full second of exposure.

And while some movement still seems to require the “moment in time” capture, I really like how these images reflect the movement and passion of these artists.

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>other images<
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There are certain architectural elements that lend themselves to odd, abstract photographs, but in some instances, you must create the abstract image. As I walked around ECC some images just made sense – the concrete ceiling under the elevated walkway and the outdoor metal staircase. But the staircase’s metal railing and marbled look, I knew there was a photo; but as long as it was right side up, it just looked like stairs…

I love these types of photos; photos where you can’t quite tell what elements are part of the foreground, background, or reflection.

Sometimes my monochrome images have power and will stand the test of time.
To be clear, I do not think this is one of those images.

A few months back, a photography mentor challenged me to find the photos in everyday life. I tend to capture many beautiful images on photo walks, but them rarely take photos outside of those “events”, so I began photographing the normal scenes in normal life. While this was taken while I wandered around ECC looking for photos, I would’ve likely ignored it without the challenge of looking for normal scenes.

While the beautiful House of Worship is visible from a distance, the grounds are equally impressive, but really only visible when you are walking toward and around the building.  The immaculate gardens are gorgeous and incredible, a simply astounding ongoing task for the staff of the House of Worship.

The Baháʼí House of Worship is one of the most beautiful buildings in the Chicagoland area. Since the exterior is almost entirely white, it’s a great candidate for a monochrome series of images.

There are some photos that I like that I don’t want to “define” why; the crosses photo fits in that category – I love the symmetry and texture of the image.  As we walked along Spring Street, I saw my shadow walking along the brick but it took me a bit to capture the right photo since normally my elbow would be extending from my head when I click the shutter button.

I’m not sure that I like this photo; one of my primary motivations for liking nearly any photo is that it feels balanced. And for some reason, this image does not feel balanced to me, but I’m not even sure that I could even define why I don’t feel that it’s balanced.

I’ve captured this style of image of an American flag multiple times; a single long exposure of a flag as it waves in a breeze. The trick is the breeze can’t be too strong or you don’t get variations in the waving, but … that means that you might encounter a night like last night, where you stand outside for an hour because the wind just isn’t blowing most of the time.

It can often be difficult to convey a sense of scale, and while I love the pattern of this image, you can’t really tell the scale … until you notice the canoe in the lower right. And once you see the canoe, you can feel the power of a river that carried those logs downstream.

…view older images with the thumbnails below…

I may have noticed some of the smaller elements on previous visits, but I had not previously noticed how prevalent the aquatic decorations are throughout the Shedd Aquarium. Even these ceiling tiles have at least 3 different designs.

…view older images with the thumbnails below…

Oh my goodness, this car’s plate made me laugh out loud at the show. And I think what made it funnier is the juxtaposition of the meme-worthy license plate and the 1930’s classic Ford Coupe. But, even without the plate, this car deserved to be captured as a monochrome.

…view older images with the thumbnails below…

It’s the little details. This shimmering mirror’s tiny logo and the shimmering sun created wonderful shadows, accents, and reflections onto this white Chevy.

…view older images with the thumbnails below…