fourpointedstar

Sure, if you go to a classic car show, the mid-50’s Chevy BelAirs are almost as popular as the late 60’s Mustangs, but it’s for a reason. The BelAirs are simply rolling works of art … absolutely stunning, eye catching, and head turning.

Another wonderful photo from the Elgin History Museum’s annual Classic Car Show. Everyone knows what a 1957 Chevy Belair looks like, so it’s always challenging to find a unique take on this incredibly classic of the classic cars. But, if there’s a late 60’s muscle car with awesome rims next to it? Well, now that’s kinda unique.

I’m excited to interview Doug Hanson about his photography. Doug specializes in antique photography methods, and his enthusiasm and friendliness has helped many others learn about the history and techniques of analogue photography. Doug has presented his art at exhibitions throughout the Chicago area and around the world.

…someday I will learn to take a photo of the entire car, or at least of the tag with the car’s information at car shows, but the day that I photographed this car was not that day…

Earlier in the morning, before the Elgin History Museum’s Classic Car Show technically started, there were a few showers that rolled through. While most of the cars arrived after the rain or their owners cleaned the cars off, this dripping wet Thunderbird lent itself to some unique photos.

Lauri’s Abstract Architecture photos have captured my imagination since I first saw them. Her images of “Art in Cars” continue to challenge my interest in photographing cars. Lauri teaches others about seeing the world around them in its true beauty & capturing the world in a unique way. I’m honored to talk with Lauri about how she “Sees” the world with her own unique style.

I love photographing these little hoverflies; they’re so tiny and true to their name, tend to hover from location to location. This little one seemed to be waiting for the sun to reappear.

This was the perfect sunset sky interrupted by the perfect little sliver of the moon, so of course, I pulled over and took a few photos.

I’m thrilled to interview Ira Marcus as my next Photo Friend. Ira brings a passion and artistic taste to his work, no matter if it’s capturing a beautiful still life scene, pursuing nature photography, or using his photo skills to help a local nonprofit.

The day of the most recent solar eclipse was very sunny in southern Indiana, and this little hoverfly was taking full advantage of the sun and the spring flowers.

Last year, we began completely recreating our south-facing yard as a prairie with native plants. I have always loved the look of these and their gorgeous stringy mop of a hairdo!

Watching the ants crawl across the peonies is a special kinda of therapy; my goal when attempting to capture this photo was to get an ant in the photo. The ants, however, we’re very cooperative, so instead I captured a bit more abstract of an image.

I’m thrilled to interview an incredibly talented artist, Nick Mataragas about his various artistic pursuits including his street photography.

Once you’ve gone to your third car show, you’ve seen the “normal” cars – the 1994 and newer Mustangs, the 57 Chevys, and the brand new Corvettes. But every once in a while you see an unusual car like this one. Did I keep track of what car this was? No, of course not.

I’m certain that the goddess is holding something from greek or roman legend, but to me it looks like a discus or a small tire and made me chuckle.

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Who decided that a flying bird was the best emblem for this Ford’s hood ornament? What person walked into a business meeting and said “Yeah, I think a chicken looking bird is perfect!”

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Every time that I have been to the Wauconda Cruise Night, there is at least one Duesenberg at the end of the main street. They’re absolutely spectacular cars, and I love photographing them!

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When I purchased my Sony camera, I knew that I would want a macro lens (since my old one was for Nikon). I settled on the Laona 100mm f2.8 with manual focus – mostly because it was the least expensive 2x macro (by far). It can be exhausting to get the focus correct, but when it’s right, it’s absolutely lovely!

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There’s a certain delight in seeing the shag carpet look of this moth in the daylight. This beautiful insect just hung there for the entire hour that we were inside the butterfly house at Peggy Notebaert.

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For the past few years, Sarah and I have visited Peggy Notebaert Nature Museum in downtown Chicago; they have a wonderful year-round butterfly sanctuary/exhibit. In the winter, it’s a wonderful break from the cold and grey.
This winter it was way too busy, but we finally made it down there for our anniversary last weekend.

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Whenever I attend car shows, I try to take some time to walk through the spectator’s parking lot. This Mustang was just sitting there, looking angry, waiting for someone to take a photo.
While I was taking the photo, another Mustang owner parked right next to this car and asked me if it was my car – sadly no.

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This was an interesting concept, but poor execution. The idea was that the sparks from the steel wool would look like they were coming out of the tailpipe, but – well, you gotta have your angles right. And since that’s me spinning the steel wool, well, my camera angle was all wrong. Oh well, I still think it’s a cool shot of Keith on his bike.

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Over the past 10 years, the Elgin Area Camera Club has hosted a steel wool photography opportunity three times. This image is from our most recent outing, and I’m actually the one who is spinning the wool in this image – I set up my camera and someone else pushed the shutter, so this is more of a collaborative image, you might say.

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I alway enjoy finding new locations to photograph light trails, and I found this particular spot about 2 years before I finally got down to photograph it. Grand Avenue crosses I-90/94 with a perfect view of the Willis Tower, but there’s also a Metra track there too!
However, that Metra line is not used that often on the weekends, so I will have to go back to capture a better photo with the train light trails too. (Oh, and LED billboards are terrible…)

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Most folks from the Chicago area will recognize that darker building, but why is the light blue building taller? I didn’t notice this trick of angles and perspective when I photographed this scene, but now I love the photo even more.

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The concrete and glass exterior of the building on the south side of Wells becomes the perfect canvas for abstract architecture presented by the stepped exterior of the top of the building on the north side of Wells.

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This fantastic oddity was captured from street level, and I just love all of the distortion. I’ve photographed the curved fascade of the building on the corner of Wells & Hubbard a few times, but always from the 4th or 5th floor of the parking garage with light trails in mind.
(This photo was from a photo walk that I led back in April.)

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The shadows from the melting ice or snow rolling down the glass were the perfect addition to all of the angles in this photo.

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Santiago Calatrava’s buildings never fail to impress. They’re almost always futuristic, but often can be mistaken for an animal in some kind of animated reality. Even his art installation in Chicago has a fluid and natural motion to it.

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If you crane your neck and look UP under Calatrava’s wonderful design, the view is magnificent!

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Perhaps someday I will grow tired of capturing the Quadracci Pavilion at the Milwaukee Art Museum, but for now, I love visiting that building. The whites and blues and sunlight are the perfect painters of abstract patterns; I can’t wait to go back!

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