fourpointedstar

Back in late December, I ran across this composite photo by Sven Bergmeier on Facebook – the yellow leapt off the screen, just like the serenity of the dancer leapt into my memory. As is normal for me – I started imagining ways that I could create similar images.

original image here

This image rattled around in my brain for a couple of weeks until Side Street Studio Arts, here in Elgin, announced the call for art for their 13th anniversary. One of my goals is to enter more of my photography into exhibits, but not the simple images, but the creative pieces.

I asked my oldest daughter if she would like to help create an image for the Side Street exhibit; she’s danced in a private studio, and then in her high school’s Orchesis program as well. I showed her the idea and then some ideas for a pose when she jumps; and then, on a 25 degree morning, we went out along Lake Michigan and captured quite a few photos.

I love how this images shows her joy and enthusiasm, the orange pops against the blues and concrete, and the variations in her jump add to the image rather than detract. Hopefully other photographers will see this creation, and be inspired to create images too.

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You might think that after 10 years of photographing butterflies in the same exhibit that it would be easier or boring or predictable, but during each visit, I have to search for the butterflies in a good setting within the reach of my lens, adjust for the proper lighting, and then capture the image while the butterfly is stationary.

The sunlight filters in and out, the butterflies often land far away or in an “ugly” location, or they take off right when you press the shutter button; so each year there is a challenge and a smile when I’m editing and see that I’ve captured a good image. Really, each one of those challenges is present in most photographic creation…

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Each winter, I make a sacred trek to Peggy Notebaert Nature Museum in Chicago. They have a wonderful year-round butterfly exhibit, and those colors are the perfect break from the dull nature colors. Even when the Illinois winter blesses us with snow instead of 43 shades of brown and grey, more of nature is still monochromatic.

Typically I focus on the butterflies; small pops of color whose unpredictable nature and flight paths make them a challenge to photograph, but this visit, I was inspired by a photo that Sarah took years ago – a simple image of the end of one of the vines. What images could I create in the butterfly house that weren’t of butterflies?