fourpointedstar

I don’t think anything better exemplifies “if you build it, they will come” than nature.  When we purchased our home, the previous owner had already planted an extensive garden, but the previous tenant had not kept up with it.  Over the almost 10 years, we have gradually expanded the garden and focussed on planting native plants; and this means that we see all sorts of pollinators as well as other creepy crawlies that are a bit higher up the food chain.  Perhaps “if you plant it, they will come” is our interpretation.

When we started our photo walk, I wanted to capture images that I may not normally see or look for. The stop light shadow immediately grabbed my attention, but I will admit that my second photo, the reflection, is the type of photo that I have taken many times over.

My friend and I took a nice slow walk around one of Elgin’s historic neighborhoods. Our meandering path matched our meandering conversation as we talked about life and pressed our shutter buttons. I remarked to him “I’m just not really feeling it”, but I continued to capture interesting images. As I tried to pick 7 images to post for this week, they all seemed to be missing something; but as pairs of photos?

The strong red-ish light of the sun played strongly across each scene, but was most evident on the brick buildings leading to the wonderful hues in these photos.

This particular morning, I saw very few spiders. While I do enjoy capturing a bee in a flower, it’s more fun to photograph other insects as they pollenate.  Spiders are even more unique; typically they’re “hiding”, hunched in an area of the plant that is out of the way, but paying attention to YOU the photographer.  It’s a cat-and-mouse game, but for the spider, it’s a monster-and-mouse game.

I took a much closer photo of this tiny jumping spider but the photo lacked any sense of scale. While the photo doesn’t show nearly any detail for the spider, this photo gives a much better sense of scale and shows how hard it can be to see these spiders, let alone capture them.

I will never admit how many photos it took to get this particular image: the bee would fly off, the bee’s face would be too dark or too light, the focus wouldn’t be correct, etc. As it is, there are still elements that I wish I could fix; I dislike that the center is so out of focus, and I wish that the bee’s were just a little more in the sunlight. But I love that the image implies that the bees are circumnavigating the flower, an insect Juan Elcano if you will.

It’s amazing how the simple addition of the pointy tail on this insect makes it go from “cute, like a bee” to “terrifying and menacing”.  I love photos like this one; all the texture in the head and torso, the contrast in the vibrant flower and the insect body, and the hint of sunlight in the eye.

Any photographer knows that there are acceptable photos, there are good photos, and then there are photos that you feel lucky to capture; and you have to display all three types.  Bees rarely stay on a flower for longer than a few seconds, and this image took advantage of a flower’s askew petals; lining the two up wasn’t skill, it was luck.  But a good photographer knows that the more often you go out to take photos, the more likely you are to get lucky. 

A few years back, I attended a camera club meeting about street photography. One of the attendees asked about the privacy of those that you photograph, and the speaker responded “as long as they are in public, there should be no expectation of privacy.” A drone blurs this line even further; while a photo taken 300 feet away will to show fantastic resolution, you can easily see my neighbors back yards in this photo. Anyway, as much as I enjoyed trying to create an interesting composition with my own neighborhood, I won’t fly the drone over residential property any longer.

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Now this is exactly why I wanted a drone. I hovered over this particular creek as it enters the Fox River for at least 5 minutes, flying the drone to different compositions and then taking a photo. I love the colors, textures, and the winding creek at it flows through the center of the image.

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It can often be difficult to convey a sense of scale, and while I love the pattern of this image, you can’t really tell the scale … until you notice the canoe in the lower right. And once you see the canoe, you can feel the power of a river that carried those logs downstream.

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I’m new to this – drone photography; but I already love it, I can make shapes and abstracts out of our surroundings. Since I have a small drone, there are limitations to height, so my original vision of a photo of all of Walton Island taken from directly overhead didn’t work out, but that’s part of photography; adapting to your limitations to capture a new scene.

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As the sun crests the hills, a photographer has a few minutes when the tips of trees and plants are radiating the sun’s fresh light, and the rest of the plant rests in the shadows … a solar spotlight of sorts.

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Someday I’ll learn my lesson, only go waterfall chasing after a nice healthy rain!  Rocky Glen in Peoria has a nice vertical hike over a hill and into the valley to reach the waterfall; in the second photo you can see the massive boulder that the water flows underneath after dropping down the cliff face – yes, the same boulder with the carvings & graffiti.

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Normally graffiti distracts from my nature photos; but in this case, the carvings were so pervasive on this rock that it became an artistic subject in itself. In order to capture “Winding Valley”, I had to stand on this rock, and interestingly there were no carvings on the other side of the boulder.

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One of the best parts of early spring is that there is enough greenery to add a nice pop of color, but there is not enough greenery to block a longer scenic photo. And I particularly love the fact that the stream reflects the light blue sky in this photo.

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Any time that I go on a photo walk, I start capturing photos before I find inspiration; generally, I’m visiting a specific event or location, so that means that I have a subject in mind.  On the photo walk to the Black Partridge Woods, I knew that I would be capturing early spring flowers, but there is always that first photo that kicks off the inspiration at a photo shoot (at least for me).  

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As I climbed up the hill, I found this fallen tree. I love that the branches appear to reach out into the forest. But as I stared at the downed tree, I realized that it may be a wonderful black & white image. I’ll let you decide.

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I’m always amazed at the people who can go on a nature hike and name most of the flowers, leaves, trees, or moss. My brain just doesn’t work that smoothly; do you want to know what generation of Mac laptop first had the G3 chip? I know that, but common names for flowers … well that’s never going to stick in my brain.

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The soft purple hue mixed with the greens in this image bring my mind to a peaceful familiar space.

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Don’t center the subject in your photo.
Well, what it I center it in the bottom third?
And what if there is a well lit leaf providing contrast and balance?
Sometimes, it’s ok to break the rules.

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There’s something magical about the beaded drops of fresh dew in the morning.  I was searching for a tiny scene where I could capture the dew on one of the early spring flowers, and this vignette seems so perfect.  

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Nearly every year, I take at least one trip down to Peggy Notebaert Nature Museum to photograph the butterflies. The Nature Museum has a wonderful year-round habitat for the butterflies, and in the middle of winter with all of the dull colors of nature, it’s relaxing to photograph something with rich colors.

But a friend challenged me to photograph something unusual in black & white; so I chose the butterflies in my second trip to Peggy Notebaert. Can I create interesting images without depending on the vibrant colors of the plants and insects? I am very pleased with the results of my experiment.

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One of my favorite things to do in the winter in Chicago is to visit one of the conservatories to see the plants and blossoms. The splash of color does wonders to invigorate my spirit.
But then I tend to create monochrome images out of my trips because I love the textures.

Not every image needs to be award winning; I enjoy looking for abstract compositions, and I’ve photographed this type of plant quite a few times and rarely gotten an image that I liked.  But I really like this image – award winning to me.

I have some friends who will bring along spray bottles to add water drops to plants to make the image pop, but for this flower, the staff at the conservatory did the work for me!

Sometimes a photo is already lined up for you, like this blossom. I did have to stand on my tiptoes to capture the image with the green leaf behind the red blossom, and then take the photo several times in order to get the pistil in focus.

I walked right past this plant while complaining that I hadn’t taken enough photos of blossoms. Sarah kindly pointed out that the purple blossoms were almost radiant; I’d walked right past the plant because most of the blossoms were wilted and past their prime. The yellow stamen are almost creepy.

I love seeing other people’s photos, and recently I saw a photo of a single cactus blossom from a photographer that was perfect and beautiful. I don’t like my image quite as much as theirs, but this cute blossom was absolutely perfect for the photograph.

The tiny blossoms on this cactus were the perfect cluster of beauty for my macro lens. The sad thing about macro photos is that I have no clue what the remainder of the plant looks like now.

I love visiting an indoor garden like Chicago’s conservatories in the winter. The garden’s colors and vibrance are refreshing against the backdrop of the grey and browns of our winters.

I don’t ever shy away from editing an image from cropping to color correction to contrast; I almost never show an image before editing.

But every once in a while a scene presents itself that needs no editing, like this one. I did crop this, my lens simply didn’t have the reach for the crop that I wanted; and of course, I changed it to black & white. Some won’t like this image, even more will find an aspect to critique; and that’s fine, after all art is subjective.

I love converting photos of ferns to monochrome images; they’re almost monochromatic already, simply shades of green. However, in their full color, you can enjoy the yellow and red shades within the greens, as well as the brown details in the fibers and stems. For this curly image, I really enjoyed the peach-fuzz underneath the plant that you wouldn’t normally see.

One of the beauties of nature is the joy of looking closer. Not only does this fern remind me of nature’s zipper, the closer that you look at the plant, the more you can see and learn; the strands on the branch, the spots and texture on the fronds as well as the serration on the edges of the branches.

Growing up, my Mom always had Christmas cactus, and if I remember the original plant may have come from her brother had quite the green thumb. I definitely remember playing football in the house with my brother and knocking the plant over and the blossoms falling off and KNOWING that we were in so much trouble.

But when I told my parents that Sarah and I were moving in together, my Mom gave Sarah a cutting of the Christmas cactus as a “home warming gift”.

There is not much to say about this image; I love its simple composition.

I guess I’ve never really paid attention to the spines on various cactus plants, but I have definitely never noticed a cactus’s spines that are quite as curvy as this cactus’s are! I love the almost “barrier” like feel to the repeating leaves, if that’s what you would call them, and the repeating pattern makes me wonder if there’s a mathematical system behind their arrangement.

Photographing ferns is a bit challenging; almost like a monochrome image. There isn’t a flower for color or the contrast of bark and leaves; but while a fern may lack in color and contrast, it excels at texture and shape. I love the weave and repetition of these leaves!