fourpointedstar

Every year, the Elgin History Museum puts on such a great car show!  They hold it on the grounds of the museum with “Old Main” serving as the backdrop, and this year, this fantastic Ford coupe was posing in front of Old Main – the perfect photo op.

This Packard was sitting next to the 1955 Chevy, and while I took my photos of the Chevy, I was continuously drawn to the unique hood ornament and the unique color – a cream with a hint of yellow. I love the graceful pose of the hood ornament – a swan landing in the water – absolutely gorgeous.

Let’s just assume at this point that I won’t tire of hood ornaments. (Spoiler… there’s another photo of one this week too!) This is the same 1955 Chevy that I used for my 24 photo challenge as well, so if you want to see 20+ more images of this car, click here.

Shortly after I’d taken my first photos of the apple for the original photo challenge, I was editing a photo that I’d taken of a Duesenberg, and it occurred to me that I should take the photo challenge at a car show. So today, while at the Elgin History Museum’s car show, I chose a red 1955 Chevy Coupe. I followed the same pattern as with the apples: no bracketing, each shot is planned, every shot is unique. I took 29 images, and I have 25 photos to show below.

I have attended a half dozen or more Wauconda Cruise Nights over the years, and every time at the north-west end of Main Street, there are two Duesenbergs – gorgeous cars from years ago. Each time that I attend, I make sure to walk past them; and after this past Cruise Night, I thought “they’d be a fun ’36 Apple’ challenge”. So, next time that I attend, my goal is to take as many unique photos of the car that I can possibly imagine.

This Packard was the first car that I saw as I walked into Wauconda’s Cruise Night in June. Packard’s are uncommon but have a wonderful 1950’s style; it was an easy photograph, even with the crowd that had gathered around it. It went on to win the award for the car show that evening too.

Don’t shoot in direct sunlight; wait for an overcast day.
The direct sunlight creates harsh shadows and high contrast colors.
Unless you can use the shadows and bold colors to make a wonderful photo.

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A few years back, I attended a camera club meeting about street photography. One of the attendees asked about the privacy of those that you photograph, and the speaker responded “as long as they are in public, there should be no expectation of privacy.” A drone blurs this line even further; while a photo taken 300 feet away will to show fantastic resolution, you can easily see my neighbors back yards in this photo. Anyway, as much as I enjoyed trying to create an interesting composition with my own neighborhood, I won’t fly the drone over residential property any longer.

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You can easily create a strong image by composing in a way that highlights a strong central focus, and when I thought of this image, my intent was to capture the unique roof of the Elgin Transportation Center. However, once overhead, the tilt of Chicago and Highland became the obvious centers of the image; I simply love how the railroad tracks, row buildings, and the transportation center give the basis for the roads to “lean” against.

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I’m new to this – drone photography; but I already love it, I can make shapes and abstracts out of our surroundings. Since I have a small drone, there are limitations to height, so my original vision of a photo of all of Walton Island taken from directly overhead didn’t work out, but that’s part of photography; adapting to your limitations to capture a new scene.

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First of all, this hotel’s footprint is very odd, very random; almost as if the architect was moonlighting as a cubism artist.
But then the midday sunlight reflecting and refracting across the brick facade?

Absolutely delightful!

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Oh my goodness, this car’s plate made me laugh out loud at the show. And I think what made it funnier is the juxtaposition of the meme-worthy license plate and the 1930’s classic Ford Coupe. But, even without the plate, this car deserved to be captured as a monochrome.

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Speaking of cars at auto shows … it feels like the most common car at most community autoshows is the Ford Mustang. So in keeping with my theme of “the most common car show color is red”, here is a very red steering wheel and dash on a Ford Mustang.

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Well, I did mention that there are so many red cars at car shows, but there are also so many mid-50’s Chevy coupes. And while I love their style and beauty, it is definitely harder and harder to find that original and create photo.

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It’s the little details. This shimmering mirror’s tiny logo and the shimmering sun created wonderful shadows, accents, and reflections onto this white Chevy.

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My goodness, there are so many red cars at car shows, so this Purple Plymouth stood out from the crowd. In my ongoing effort to capture unique views at auto shows, I love this off balance scowling headlight, grill, and bumper.

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I’m not really a “street photographer”, but over the past two years I have been trying to expand my photography. As my friend Arnoldo and I walked through Elgin on that rainy November day, I found several scenes that were not my usual fare, but still felt photogenic to my eye.

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This wasn’t my favorite photo to capture. The railings on the staircase are glass and that just gives me the heebie-jeebies (is that how you spell that phrase?); moving my feet out of the way while trying to hold my camera over the edge.

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As I moved around the lobby in the Hemmens, these lights moved with me creating patterns and shapes. A centimeter this way or that and the entire frame would change; it’s one of the reasons that I love architecture photography, it really does embody that statement of “right place, right time”. The colors, angles, lighting are all impacted by exactly when and where you are standing.

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I’ve heard many people say the right place and the right time are essential for a photograph, but I would argue that the right mindset is also essential. As Sarah and I were standing in the lobby of The Hemmens in Elgin, I was watching the reflections and refractions on the windows and walls. And while my mind wandered, this distant aircraft caught my eye as it traced its way through each window pane.

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Each week has a theme, and so each week there are 1 or 2 photos that are left over. Or in the case of this week’s windows theme, I needed an extra photo, so I reached into those extras and found this fun photo from 2018.

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One of my favorite things to do in the winter in Chicago is to visit one of the conservatories to see the plants and blossoms. The splash of color does wonders to invigorate my spirit.
But then I tend to create monochrome images out of my trips because I love the textures.

In today’s language, this house belongs to a one-percent-er, but I have a hard time feeling jealous of them. After all, if I had millions (or billions), I’d want a home in that exact spot as well.

I struggled with editing this image. I love the composition, but getting the dark and light not too dark and not too light was a challenge; and I still don’t think I’ve got it right. The light parts just aren’t light enough, and I’ve always struggled with getting monochrome images to have nice lighter parts of the image without having just a texture-less white space. Each photograph teaches us a lesson and often that lesson is “you have a lot more to learn.”

Unlike most of Frank Ghery’s most famous buildings, the Museum of Pop Culture is not simply shades of shimmering silver. The building has 5 or 6 unique segments in different colors, each segment with his signature curves and waves. Shadows and reflections wandered across each curve and surface, combining to form a lasting smile across my face.

Ghery’s architectural works stand out in any skyline. The multiple colors, textures, and waves on the Museum of Pop Culture exhibit a wonderful feast of the eyes. While many of his buildings and designs are similar to the Pritzker Pavilion here in Chicago – mostly uniform in color – the Seattle design has multiple treatments and colors for the sheet metal. As we walked around the exterior, I found dozens and perhaps hundreds of potential abstracts, and after editing, here are a few that stood out as spectacular.

As you walk away from the Seattle Space Needle, you’re treated to the chrome and copper variations in the anodized metal. The waves and variations reminded me of a patchwork quilt that has been tossed on the couch; almost as if the wind had blown the building into that particular spot in Seattle’s downtown.

I believe that Kristen has attended three of our Elgin photo walks; she has a great eye and great ideas.  She originally lined this photo up and spent her time capturing the scene with the Water Tower centered – and during that time, a dozen vehicles passed by interrupting her photos.  Then when I took my turn with the same location, I had to wait for several minutes to get my first car for the light trails that I wanted to capture.  I finally did capture an ambulance on Michigan Avenue (in the back), and three vehicles on Tower Court in the foreground.

I wonder if the Allerton Hotel felt the eerie presence of the observation deck on that cold and foggy night. The top of the John Hancock Tower almost disappears into the fog and mist leaving the blue and white lights as the only reminder of the dark obelisk.

I enjoy the rotating art displays in the courtyard between the Tribune Tower and the Apple Store on Michigan Avenue. Seeing “hope” in such a central point of the city is a wonderful reminder of something that we have to work at, to hope for a better future.
And of course, I had to shoot some light trails on any walk through Chicago!

On a previous photo walk (which was also rainy), Arnaldo took a few photos of reflections in the water; and as I waited for the December photo walk to begin, I noticed this perfect reflection. I considered asking someone to step in the puddle, but decided that the Wrigley and InterContinental buildings were a great composition.

When you go on vacation there are typically photos that you know about before hand, but this photo, I don’t think I could have anticipated even if someone had mentioned it before our trip.
If you stand on the loading platform for the Bainbridge Ferry you can see this one tree that is missing in the treelike along Wing Point. But the windows along the platform are highly reflective; all of them except for the one window that allows you to line up the Space Needle with the empty spot in the treeline.

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We took a sunset boat ride out into Elliot Bay on our second to last day in Seattle. The colors in the sky were spectacular, and they mixed so well in with the colors on Pier 57. I hadn’t brought my wider lens, so I’m a bit sad that it’s so tight to the edges, but I love the colors!

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This might be my most serendipitous shot from our Seattle trip in October. Sarah and I were walking back to our VRBO that evening; Sarah wanted to look at a chocolate shop, but as we passed Union Street, the moon caught my eye. My feet were tired and I didn’t have my tripod with me, so this was taken with my Sony propped on top of a circular railing over the 3 story drop onto Post Alley. I probably took more than a dozen photos in my attempt to capture the scene; the ferris wheel would stop rotating, someone else would bump the railing, or I wasn’t standing perfectly still … but in the end I captured this 4 second exposure and only later discovered that it included Venus!

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