fourpointedstar

I’m not sure that I like this photo; one of my primary motivations for liking nearly any photo is that it feels balanced. And for some reason, this image does not feel balanced to me, but I’m not even sure that I could even define why I don’t feel that it’s balanced.

Every year, the Elgin History Museum puts on such a great car show!  They hold it on the grounds of the museum with “Old Main” serving as the backdrop, and this year, this fantastic Ford coupe was posing in front of Old Main – the perfect photo op.

This Packard was sitting next to the 1955 Chevy, and while I took my photos of the Chevy, I was continuously drawn to the unique hood ornament and the unique color – a cream with a hint of yellow. I love the graceful pose of the hood ornament – a swan landing in the water – absolutely gorgeous.

Let’s just assume at this point that I won’t tire of hood ornaments. (Spoiler… there’s another photo of one this week too!) This is the same 1955 Chevy that I used for my 24 photo challenge as well, so if you want to see 20+ more images of this car, click here.

This particular morning, I saw very few spiders. While I do enjoy capturing a bee in a flower, it’s more fun to photograph other insects as they pollenate.  Spiders are even more unique; typically they’re “hiding”, hunched in an area of the plant that is out of the way, but paying attention to YOU the photographer.  It’s a cat-and-mouse game, but for the spider, it’s a monster-and-mouse game.

I took a much closer photo of this tiny jumping spider but the photo lacked any sense of scale. While the photo doesn’t show nearly any detail for the spider, this photo gives a much better sense of scale and shows how hard it can be to see these spiders, let alone capture them.

I will never admit how many photos it took to get this particular image: the bee would fly off, the bee’s face would be too dark or too light, the focus wouldn’t be correct, etc. As it is, there are still elements that I wish I could fix; I dislike that the center is so out of focus, and I wish that the bee’s were just a little more in the sunlight. But I love that the image implies that the bees are circumnavigating the flower, an insect Juan Elcano if you will.

It’s amazing how the simple addition of the pointy tail on this insect makes it go from “cute, like a bee” to “terrifying and menacing”.  I love photos like this one; all the texture in the head and torso, the contrast in the vibrant flower and the insect body, and the hint of sunlight in the eye.

Shortly after I’d taken my first photos of the apple for the original photo challenge, I was editing a photo that I’d taken of a Duesenberg, and it occurred to me that I should take the photo challenge at a car show. So today, while at the Elgin History Museum’s car show, I chose a red 1955 Chevy Coupe. I followed the same pattern as with the apples: no bracketing, each shot is planned, every shot is unique. I took 29 images, and I have 25 photos to show below.

Any photographer knows that there are acceptable photos, there are good photos, and then there are photos that you feel lucky to capture; and you have to display all three types.  Bees rarely stay on a flower for longer than a few seconds, and this image took advantage of a flower’s askew petals; lining the two up wasn’t skill, it was luck.  But a good photographer knows that the more often you go out to take photos, the more likely you are to get lucky. 

I’ve started my first photography class; I’ve never taken classes before, so this is a new adventure. The instructor mentioned in the first lesson the Apple Challenge – take 36 unique photos of an apple. So I took the challenge seriously. I bought 4 apples, ate one of them, and used the other 3 for my photos. Instead of my normal “take a bunch of photos” and “bracket everything”, I took 1 photo for each “pose”. Over 2 different days, I took 46 photos and the lightly edited final 40 images are below. (I did end up retaking 6 photos, as the original image was terribly out of focus or similarly flawed.)

I have attended a half dozen or more Wauconda Cruise Nights over the years, and every time at the north-west end of Main Street, there are two Duesenbergs – gorgeous cars from years ago. Each time that I attend, I make sure to walk past them; and after this past Cruise Night, I thought “they’d be a fun ’36 Apple’ challenge”. So, next time that I attend, my goal is to take as many unique photos of the car that I can possibly imagine.

This Packard was the first car that I saw as I walked into Wauconda’s Cruise Night in June. Packard’s are uncommon but have a wonderful 1950’s style; it was an easy photograph, even with the crowd that had gathered around it. It went on to win the award for the car show that evening too.

Don’t shoot in direct sunlight; wait for an overcast day.
The direct sunlight creates harsh shadows and high contrast colors.
Unless you can use the shadows and bold colors to make a wonderful photo.

My original thought was that tonight’s photo – the last of the week of flags – would be of a flag with the sunset from the drone, but a huge cloudbank rolled in and ruined that plan. So, I improvised. 🙂

A good Independence Day Parade is full of red, white, and blue – clothing, bunting, streamers, balloons, and so many American flags large and small. So in keeping with this week’s theme, here are a few flags from my hometown’s Fourth of July parade.

I’ve captured this style of image of an American flag multiple times; a single long exposure of a flag as it waves in a breeze. The trick is the breeze can’t be too strong or you don’t get variations in the waving, but … that means that you might encounter a night like last night, where you stand outside for an hour because the wind just isn’t blowing most of the time.

Let’s call this image a work-in-progress, ok? As photographers if we’re honest with ourselves, none of our images turn out EXACTLY how we want them to, especially when we’re trying something new. However, I am very happy with this composite. I wanted to do another multiple exposure this week, but this time with a lot more images – 50 is a lot, right?

I captured the same flag at roughly 1 second intervals for 2 minutes for this creation, and each flagpole is rotated exactly 1/50th of the circle. While the blending/opacity did not turn out with the effect that I wanted, I am exceedingly happy with the happy accidental bushes around the edge!

p.s. I’ll let you guys figure out why I chose 50 images. 😉

Doesn’t everyone lay down in the lawn of a random business’s lawn because their flag is waving in the correct direction for the image that you’d like to create? This is 5 exposures merged so that each images partly shows through, and I quite like it; if you look closely, you can see where the stars bleed through in some spots too.

Since we’re celebrating the July 4th holiday this week, I chose our flag as my subject for this week’s photos. While normally my photos are taken in the past and then I choose 7 images for the week from an event or along a theme, I’ve decided that this week’s photos should be taken daily and be relatively unique compositions.

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A few years back, I attended a camera club meeting about street photography. One of the attendees asked about the privacy of those that you photograph, and the speaker responded “as long as they are in public, there should be no expectation of privacy.” A drone blurs this line even further; while a photo taken 300 feet away will to show fantastic resolution, you can easily see my neighbors back yards in this photo. Anyway, as much as I enjoyed trying to create an interesting composition with my own neighborhood, I won’t fly the drone over residential property any longer.

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Now this is exactly why I wanted a drone. I hovered over this particular creek as it enters the Fox River for at least 5 minutes, flying the drone to different compositions and then taking a photo. I love the colors, textures, and the winding creek at it flows through the center of the image.

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It can often be difficult to convey a sense of scale, and while I love the pattern of this image, you can’t really tell the scale … until you notice the canoe in the lower right. And once you see the canoe, you can feel the power of a river that carried those logs downstream.

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You can easily create a strong image by composing in a way that highlights a strong central focus, and when I thought of this image, my intent was to capture the unique roof of the Elgin Transportation Center. However, once overhead, the tilt of Chicago and Highland became the obvious centers of the image; I simply love how the railroad tracks, row buildings, and the transportation center give the basis for the roads to “lean” against.

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I’m new to this – drone photography; but I already love it, I can make shapes and abstracts out of our surroundings. Since I have a small drone, there are limitations to height, so my original vision of a photo of all of Walton Island taken from directly overhead didn’t work out, but that’s part of photography; adapting to your limitations to capture a new scene.

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I may have noticed some of the smaller elements on previous visits, but I had not previously noticed how prevalent the aquatic decorations are throughout the Shedd Aquarium. Even these ceiling tiles have at least 3 different designs.

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First of all, this hotel’s footprint is very odd, very random; almost as if the architect was moonlighting as a cubism artist.
But then the midday sunlight reflecting and refracting across the brick facade?

Absolutely delightful!

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My favorite images tend to be the images that I consider well balanced; to me, no element feels too weighty. This image genuinely confuses me though; I spent probably too much time cropping, re-cropping, and then un-cropping the frame to get it to feel “right”. Don’t get me wrong, I really enjoy the image; but I was very indecisive about it; and just now, I re-wrote, deleted, and then edited this text a dozen times.

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Of course there is a joke about the Golden Arches on the River Point building, but honestly, this construction was a wonderful addition to the Chicago River split.  In 2008 and 2009, I visited this exact spot, but there was no building, only traintracks.  Now, there’s a beautiful park, wonderful art, and the space has been utilized.

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I absolutely love the powerful yellow mixed with the soft blue, but try as hard I could, there was no way to align the axis or center of the dome with the yellow backlit wave.  I still love the contrast and bold colors in the image.

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I love a photo that doesn’t have a lot of visual clutter, and I love a photo that has a strong point of focus.  For this photo, I love that the subtle colors work so well together, and that the lines are so strong throughout.

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There is a welcoming blue glow inside the main vestibule of the Shedd Aquarium, and I love the contrasting yellow colors in that area. Many of the motifs in the area are also sea themed like the shells in this photo.

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Oh my goodness, this car’s plate made me laugh out loud at the show. And I think what made it funnier is the juxtaposition of the meme-worthy license plate and the 1930’s classic Ford Coupe. But, even without the plate, this car deserved to be captured as a monochrome.

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Speaking of cars at auto shows … it feels like the most common car at most community autoshows is the Ford Mustang. So in keeping with my theme of “the most common car show color is red”, here is a very red steering wheel and dash on a Ford Mustang.

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Well, I did mention that there are so many red cars at car shows, but there are also so many mid-50’s Chevy coupes. And while I love their style and beauty, it is definitely harder and harder to find that original and create photo.

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It’s the little details. This shimmering mirror’s tiny logo and the shimmering sun created wonderful shadows, accents, and reflections onto this white Chevy.

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My goodness, there are so many red cars at car shows, so this Purple Plymouth stood out from the crowd. In my ongoing effort to capture unique views at auto shows, I love this off balance scowling headlight, grill, and bumper.

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This DJI Mini 3 was my Christmas gift, but I’ve only started learning to fly it. With three teenage daughters, the school year is simply too busy!

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Sometimes it’s just the simplicity of the photo.

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I’m not really a “street photographer”, but over the past two years I have been trying to expand my photography. As my friend Arnoldo and I walked through Elgin on that rainy November day, I found several scenes that were not my usual fare, but still felt photogenic to my eye.

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This wasn’t my favorite photo to capture. The railings on the staircase are glass and that just gives me the heebie-jeebies (is that how you spell that phrase?); moving my feet out of the way while trying to hold my camera over the edge.

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As I moved around the lobby in the Hemmens, these lights moved with me creating patterns and shapes. A centimeter this way or that and the entire frame would change; it’s one of the reasons that I love architecture photography, it really does embody that statement of “right place, right time”. The colors, angles, lighting are all impacted by exactly when and where you are standing.

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I’ve heard many people say the right place and the right time are essential for a photograph, but I would argue that the right mindset is also essential. As Sarah and I were standing in the lobby of The Hemmens in Elgin, I was watching the reflections and refractions on the windows and walls. And while my mind wandered, this distant aircraft caught my eye as it traced its way through each window pane.

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Each week has a theme, and so each week there are 1 or 2 photos that are left over. Or in the case of this week’s windows theme, I needed an extra photo, so I reached into those extras and found this fun photo from 2018.

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As the sun crests the hills, a photographer has a few minutes when the tips of trees and plants are radiating the sun’s fresh light, and the rest of the plant rests in the shadows … a solar spotlight of sorts.

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Someday I’ll learn my lesson, only go waterfall chasing after a nice healthy rain!  Rocky Glen in Peoria has a nice vertical hike over a hill and into the valley to reach the waterfall; in the second photo you can see the massive boulder that the water flows underneath after dropping down the cliff face – yes, the same boulder with the carvings & graffiti.

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Normally graffiti distracts from my nature photos; but in this case, the carvings were so pervasive on this rock that it became an artistic subject in itself. In order to capture “Winding Valley”, I had to stand on this rock, and interestingly there were no carvings on the other side of the boulder.

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One of the best parts of early spring is that there is enough greenery to add a nice pop of color, but there is not enough greenery to block a longer scenic photo. And I particularly love the fact that the stream reflects the light blue sky in this photo.

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