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photos from joshua l. smith

Elgin has so many wonderful buildings. This one on Douglas Avenue is very interesting, the fancier façade partially extends to the side which implies that this wasn’t going to be as visible, but there are windows which implies that there wasn’t going to be a building immediately next to it… (Ok, so maybe not “very interesting” only “interesting”.)
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I told my boss after the 2017 eclipse “slap me if I choose not to travel for the eclipse in 2024.” I chose Spenser, Indiana because it was a small town along the path of totality, and I wanted to avoid the crowds. I ended up shooting the eclipse from a grassy field outside of town along with maybe 50 other folks. The group shared Oreos and stories, and we generally enjoyed the warm, sunny weather.
As totality approached it was a very odd feeling; it was almost like dusk, but the colors in the sky were all wrong – an unnatural hue. Totality was more like a nice moonlit scene; the frogs in the pond didn’t understand what was going on and were discussing their confusion very loudly. But the humans were in awe of the scene; it’s an incredible experience.
Photographically, I had prepared myself to be content and happy no matter what – weather, camera malfunctions, etc. So, I am thrilled to have gotten this image during totality (and many other great images).
Anytime that I attend an event, there is always the question – “how many of my photos do OTHERS want to see from this event?” After all, I take way too many photos and seeing 38 images of the exact same car/plane/waterfall isn’t how most people want to spend their time.
So, as I was driving home after the Eclipse (confident that some of my photos were good), I wondered how I could share the Eclipse without 38 photos of a smaller and smaller wedges of yellow. How about a video? Just 2 minutes long.
Anyway, you should watch it. In fullscreen. On the biggest screen you can find. Obviously.

I tend to edit my photos based on how they “feel” and one of those feelings is balance.” The photo should appear balanced, but the sad part is that I don’t know that I could quantify what makes a photo balanced … but I know it when I capture the photograph or in most cases, when I edit the photograph.
Sarah and I took a day trip up to visit family in Milwaukee and on the way took a walk through Milwaukee. I may enjoy reflections in windows more than any other kinds of architecture photography.
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As Sarah and I walked past 833 Michigan Street, we both noticed the modern abstract fixture hanging in the lobby. The installation definitely feels at home inside of the the large glass lobby, but the reflection of the US Bank building in the same windows blocked the view of the fixture. Fortunately, the contrast between the two makes a compelling photograph.
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If you start looking, the reflections of any town will provide dynamic views and photographs. I love the unfinished nature of this photo; how the angle of the foreground building gives the appearance of an unfinished canvas that drops into the negative space provided by the soft blue sky. You will find many reflections throughout my architecture photography, and I know that there will be more to come as well!
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I was unable to track down exactly where this location might have been. It may be the valley in between Kingman, Arizona and the Arizona & California state line, but when viewing the desert from 25,000 feet, it’s a bit hard to determine specific landmarks.
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I think most people think of the Golden Gate Bridge or Hollywood or the beach when someone mentions California, but Bakersfield and the surrounding area in the south is so very different. As we flew over the mountains, my coworker mentioned how much he enjoys the mountains and the vistas they afford – something that California can definitely offer in spades.
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While flying over the dry and monochrome desert areas of northern New Mexico, we passed this one snowy cap. From my vantage point it looked quite out of place, but the Sierra Grande summit is all that remains of an extinct volcano. From a general Google search, it doesn’t look that steep or tall, but it is about 2,000 feet taller than any peak in the Appalachian range.
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I love photographing abstracts, and some of the coolest abstracts are in landscapes. On my recent work trip to Bakersfield, CA I took a few photos of the various landscape features that caught my attention.
This is St. Joseph, Missouri; and while that airport is in Missouri, everything else to the right (west) of the river is Nebraska. Rivers wind and change course over time, but state lines don’t.
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A month ago at photo club, we had a group of photographers edit various photos so that the club could see various styles and choices. I submitted a few “bad” photos to the group of editors and one of my friends took my bad photo of this 918 Spyder and created an image similar to my edit above. I was amazed at how he’d taken a photo that I’d written off and created something gorgeous!
…to be clear, the image above is my recreation of his edit…
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There were several of these kinds of infinite depth items; the previous yellow photo is another example. However, this installation was different, there were more than a dozen of these cubes stacked on each other, and the blue lights’ activity was somewhat responsive to the people passing by. It definitely reminded me of something futuristic, like maybe it represented the vastness of space.
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We took the girls to the WNDR Museum – which if you’re not sure what that is, you should think “Instagram/Snapchat scenes”. It was honestly really cool; and several of the art installations were very well done. Each of the girls found a couple of rooms that they really enjoyed interacting with.
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Some of my favorite images over the years have been my more abstract images and the images with a strong use of negative space. The “bird’s wings” floating in the void of the blue sky was absolutely beautiful on the day of our visit, and I also enjoy the simplicity of the monochrome image.
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Anytime that I visit a location for a second or third time, I want to take photos that are unique to each visit. Which means that with each visit the photos get more challenging but the images get more inventive. The intersection of lines in the pavilion is full of unique images and surprises.
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There are always new views and angles at the Milwaukee Art Museum. The spire that supports the suspension bridge is such an understated portion of this entire building. The simplicity of those understated lines leads to the entire building’s exceptional beauty.
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Can 16 pieces of glass arranged in 4 identical sets be photogenic?
After seeing a few fellow photographers capture this installation, I wanted to see the abstract art. I have photographed Calatrava’s Quadracci Pavilion before, and I really enjoyed integrating that architecture with “Iceberg”.
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I think most boys who grew up in the 1980s had a poster of the Countach on their wall, or they at least had a friend who had that poster on their bedroom wall. So it came as a surprise to see an obviously-not-from-the-80’s Countach at the Auto Show. As it turns out, Lamborghini sold a hybrid supercar and in honor of the 50th Anniversary of the original Countach, they gave this new hypercar that classic name. The styling is reminiscent of the original, and the new Countach looks even cooler in person!
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Nature always has such a delightful way of displaying her beauty. As the steam slowly lifted off of the river water and wafted over the shoreline ice, it would condense into these wonderful abstract stars. What a subtle display of beauty on a brutally cold morning.
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I drive past these wide open fields every morning, and in the winter they are typically very boring. But on Friday morning, the fog was perfect; just dense enough to conceal the horizon, and just thin enough to show the small patches of forest in the middle of the flat fields.
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