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photos from joshua l. smith

When I purchased my Sony camera, I knew that I would want a macro lens (since my old one was for Nikon). I settled on the Laona 100mm f2.8 with manual focus – mostly because it was the least expensive 2x macro (by far). It can be exhausting to get the focus correct, but when it’s right, it’s absolutely lovely!
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For the past few years, Sarah and I have visited Peggy Notebaert Nature Museum in downtown Chicago; they have a wonderful year-round butterfly sanctuary/exhibit. In the winter, it’s a wonderful break from the cold and grey.
This winter it was way too busy, but we finally made it down there for our anniversary last weekend.
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Whenever I attend car shows, I try to take some time to walk through the spectator’s parking lot. This Mustang was just sitting there, looking angry, waiting for someone to take a photo.
While I was taking the photo, another Mustang owner parked right next to this car and asked me if it was my car – sadly no.
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This was an interesting concept, but poor execution. The idea was that the sparks from the steel wool would look like they were coming out of the tailpipe, but – well, you gotta have your angles right. And since that’s me spinning the steel wool, well, my camera angle was all wrong. Oh well, I still think it’s a cool shot of Keith on his bike.
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Over the past 10 years, the Elgin Area Camera Club has hosted a steel wool photography opportunity three times. This image is from our most recent outing, and I’m actually the one who is spinning the wool in this image – I set up my camera and someone else pushed the shutter, so this is more of a collaborative image, you might say.
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I alway enjoy finding new locations to photograph light trails, and I found this particular spot about 2 years before I finally got down to photograph it. Grand Avenue crosses I-90/94 with a perfect view of the Willis Tower, but there’s also a Metra track there too!
However, that Metra line is not used that often on the weekends, so I will have to go back to capture a better photo with the train light trails too. (Oh, and LED billboards are terrible…)
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This fantastic oddity was captured from street level, and I just love all of the distortion. I’ve photographed the curved fascade of the building on the corner of Wells & Hubbard a few times, but always from the 4th or 5th floor of the parking garage with light trails in mind.
(This photo was from a photo walk that I led back in April.)
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At Turkey Run, Bear Hollow is the intersection of 2 different canyons or valleys. The one valley always has flowing water, but nearly every canyon or valley has been formed by flowing water, and if you look closerly enough, there is water flowing down the tiny canyon at the top of the photo…so that obviously counts as a waterfall.
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Maybe it’s just me, but seeing the Sears/Willis Tower poking out from a scene was THE Chicago moment growing up. For a few years, my family lived on the south side, and it was a contest among the siblings to see who could see the skyline, specifically the Sears Tower, first when we would drive into the city.
On a recent photo walk, I found this little “window” created by the L tracks, the incredible rusty exterior contrasting with the sky, the Willis Tower, and the Merchandise Mart. I had to hop in between traffic on 2 different occasions to get this exposure correct; the afternoon sky was quite the contrast compared with the shadowed steel. This photo is one of my Top 3 favorite recent Chicago photos.
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Sometimes photos just work better in monochrome, but this photo was nearly monochrome all by itself. This Corvette was pristine white and all of the dark accents were DARK – including the windows. Normally I’ll give a nod to the driver of a nice, well kept car like this one, but I don’t know if there was even a human driving it because the window tint was so dark.
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At nearly every car show or meet, it’s difficult to get a great photo of a “cool” car. However, capturing an iconic detail is often a matter of patience.
Everyone has seen a photograph of a Lamborghini which makes photographing a Lamborghini in a unique way an interesting challenge. How can I photograph this famous supercar in a way that is familiar but also new and interesting? The direct sunlight helped so much in this photo, bringing out the shine in the rim and the paint job, but I am also fond of the double point in the nose of the car.
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When I visited Turkey Run State Park the first time, back in 2022, I ran out of time and walked right past Bear Hollow without capturing any photos. However, the first photo that I saw from Turkey Run was from Bear Hollow with its iconic ladders – so adding Turkey Run and Bear Hollow to my return trip was an easy decision.
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As I headed north from Cataract Falls to Turkey Run, I mostly meandered through the back roads. On one road there was a sign “Cagles Mill Dam” pointing to a side road. The road ended right before it crossed the top of the dam wall; honestly, it was a pretty impressive view. But I noticed that the downstream area appeared to be a rocky canyon, and as I drove down to the bottom of the damn, I was rewarded with this tiny waterfall – maybe a total of 4 or 5 feet tall.
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When I arrived at Cataract Falls in Indiana, I asked one of the park rangers if she knew of other waterfalls in the area. She pointed out that if you walk AWAY from Mill Creek (and Lower Cataract Falls), you’ll encounter Little Sister Falls. Little Sister Falls ended up being 2 distinct small cascades about 60 feet apart; the perfectly intimate waterfalls that I love being near.
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Elgin has so many wonderful buildings. This one on Douglas Avenue is very interesting, the fancier façade partially extends to the side which implies that this wasn’t going to be as visible, but there are windows which implies that there wasn’t going to be a building immediately next to it… (Ok, so maybe not “very interesting” only “interesting”.)
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I told my boss after the 2017 eclipse “slap me if I choose not to travel for the eclipse in 2024.” I chose Spenser, Indiana because it was a small town along the path of totality, and I wanted to avoid the crowds. I ended up shooting the eclipse from a grassy field outside of town along with maybe 50 other folks. The group shared Oreos and stories, and we generally enjoyed the warm, sunny weather.
As totality approached it was a very odd feeling; it was almost like dusk, but the colors in the sky were all wrong – an unnatural hue. Totality was more like a nice moonlit scene; the frogs in the pond didn’t understand what was going on and were discussing their confusion very loudly. But the humans were in awe of the scene; it’s an incredible experience.
Photographically, I had prepared myself to be content and happy no matter what – weather, camera malfunctions, etc. So, I am thrilled to have gotten this image during totality (and many other great images).
Anytime that I attend an event, there is always the question – “how many of my photos do OTHERS want to see from this event?” After all, I take way too many photos and seeing 38 images of the exact same car/plane/waterfall isn’t how most people want to spend their time.
So, as I was driving home after the Eclipse (confident that some of my photos were good), I wondered how I could share the Eclipse without 38 photos of a smaller and smaller wedges of yellow. How about a video? Just 2 minutes long.
Anyway, you should watch it. In fullscreen. On the biggest screen you can find. Obviously.

I tend to edit my photos based on how they “feel” and one of those feelings is balance.” The photo should appear balanced, but the sad part is that I don’t know that I could quantify what makes a photo balanced … but I know it when I capture the photograph or in most cases, when I edit the photograph.
Sarah and I took a day trip up to visit family in Milwaukee and on the way took a walk through Milwaukee. I may enjoy reflections in windows more than any other kinds of architecture photography.
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As Sarah and I walked past 833 Michigan Street, we both noticed the modern abstract fixture hanging in the lobby. The installation definitely feels at home inside of the the large glass lobby, but the reflection of the US Bank building in the same windows blocked the view of the fixture. Fortunately, the contrast between the two makes a compelling photograph.
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