Tagged: clouds

   

 

 

There are certain architectural elements that lend themselves to odd, abstract photographs, but in some instances, you must create the abstract image. As I walked around ECC some images just made sense – the concrete ceiling under the elevated walkway and the outdoor metal staircase. But the staircase’s metal railing and marbled look, I knew there was a photo; but as long as it was right side up, it just looked like stairs…

 

 

 

 

There are two easy rules to follow when you start photographing the world around you: always have your camera ready and always look for a great photo. As I was driving home from the girl’s high school, I spotted the sliver of the moon with the dusk colors; the water in the pond offered a wonderful blue hue as well, so I turned on my hazard lights and hopped out of my car to capture the scene.

 

At this particular corner at the southwest corner of Herrick Forest Preserve, there are two trees standing alone.  They’re not full, in fact that they’re kinda odd, but they make fantastic silhouettes against the pre-dawn hues of the late summer.

 

 

It gets harder and harder to capture different or unique angles of cars at car shows.  I have hundreds of photos of antique car details and thousands of photos of cars; so at each show that I attend now, I am looking for something different, a new sight – like photographing a classic through a hood.

 

I first saw this car at the Elgin History Museum Classic Car Show; it wasn’t in a great spot to capture a photo of the entire car, but I captured a very minimalist photo of the hood ornament (“Sleek Lines”, July 26, 2025).  The owner was sitting directly behind the car at the South Elgin show and explained that the “hood ornament” is also the hood handle.  This was such a cool car to photograph. 🙂

 

This is the “classic car” – the 55 to 57 Chevy Belair, a true work of art.  Its very interesting to see the style and design change each year; a 1955 Belair shows what the new style will be, but the details are more reserved, and by the time the “57 Chevy” came out, “reserved” was not the word you would use for the car at all.

 

I tried this photo a week before with a tree in the background, and it just didn’t work.  I posted the photo simple because it was unique, but now that I have this image?  I like that other photo even less! LOL. I love the balance of color and detail and the overall saturation as well! 

 

You can easily create a strong image by composing in a way that highlights a strong central focus, and when I thought of this image, my intent was to capture the unique roof of the Elgin Transportation Center. However, once overhead, the tilt of Chicago and Highland became the obvious centers of the image; I simply love how the railroad tracks, row buildings, and the transportation center give the basis for the roads to “lean” against.

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I’m new to this – drone photography; but I already love it, I can make shapes and abstracts out of our surroundings. Since I have a small drone, there are limitations to height, so my original vision of a photo of all of Walton Island taken from directly overhead didn’t work out, but that’s part of photography; adapting to your limitations to capture a new scene.

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an abstracted car…
During a chat with some friends, our conversation wandered past the topic of “how do you know that you have captured a great photo?”
When it comes to photos from car shows, I love to capture a new view, a new angle, a new interpretation. Only sometimes does it lead to a “great” photo, but it is a continual challenge to my skills as a creative photographer … to create an image that I haven’t seen before of a car that I’ve seen hundreds of times.
~ 1956 Chevrolet Belair coupe

 

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As I moved around the lobby in the Hemmens, these lights moved with me creating patterns and shapes. A centimeter this way or that and the entire frame would change; it’s one of the reasons that I love architecture photography, it really does embody that statement of “right place, right time”. The colors, angles, lighting are all impacted by exactly when and where you are standing.

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I’ve heard many people say the right place and the right time are essential for a photograph, but I would argue that the right mindset is also essential. As Sarah and I were standing in the lobby of The Hemmens in Elgin, I was watching the reflections and refractions on the windows and walls. And while my mind wandered, this distant aircraft caught my eye as it traced its way through each window pane.

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“Headed Somewhere”

May 12th, 2025

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As the sun faded in and out of the cloud cover throughout our walk around the museum, the colors of the metal would change. The building would reflect the blues, yellows, and greys in the sky and then my Sony would attempt to record those colors as photographs. As I was editing the images, I found so many fun and fantastic color combinations; in this image, you can see the golds, coppers, and silvers as well as the grey, blue, and yellow in the clouds.

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I struggled with editing this image. I love the composition, but getting the dark and light not too dark and not too light was a challenge; and I still don’t think I’ve got it right. The light parts just aren’t light enough, and I’ve always struggled with getting monochrome images to have nice lighter parts of the image without having just a texture-less white space. Each photograph teaches us a lesson and often that lesson is “you have a lot more to learn.”

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Unlike most of Frank Ghery’s most famous buildings, the Museum of Pop Culture is not simply shades of shimmering silver. The building has 5 or 6 unique segments in different colors, each segment with his signature curves and waves. Shadows and reflections wandered across each curve and surface, combining to form a lasting smile across my face.

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This pigeon has decided that sitting on the top of this metal cloud is a great way to interrupt my photo. At first I was annoyed, but now I enjoy the tiny interruption – almost like it’s Monty Python’s French Taunter in the castle castle threatening “I blow my nose at you!”

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Ghery’s architectural works stand out in any skyline. The multiple colors, textures, and waves on the Museum of Pop Culture exhibit a wonderful feast of the eyes. While many of his buildings and designs are similar to the Pritzker Pavilion here in Chicago – mostly uniform in color – the Seattle design has multiple treatments and colors for the sheet metal. As we walked around the exterior, I found dozens and perhaps hundreds of potential abstracts, and after editing, here are a few that stood out as spectacular.

As you walk away from the Seattle Space Needle, you’re treated to the chrome and copper variations in the anodized metal. The waves and variations reminded me of a patchwork quilt that has been tossed on the couch; almost as if the wind had blown the building into that particular spot in Seattle’s downtown.

 

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We stayed in a VRBO in the building to the right of this photo, and walking out to this patio / sidewalk each day was so welcoming. There was a variety of restaurants and entertainment along the first couple of floors and then housing in each building’s higher floors. Down near Skillet was the alleyway that leads up to Pike Place Market to the North, and as you can see, the stairs down led to the waterfront walk. But…don’t ask about the rent.

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If someone asked me what my favorite image is from any given trip, I might have difficulty pointing to a singular image. But for the Seattle trip in October, this is “The Image”; I’m not even sure why. I simply love this photo – the entire trip was a photographic adventure, but this image stands above all the others in my mind.

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I absolutely loved photographing the Museum of Pop Culture in Seattle; but I would love to photograph any of Frank Ghery’s buildings!

 

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I suppose at this point, I’m kind of known for my “reflection distorted in glass” photos, but I really love this one. The monochrome makes the textures and details really stand out, and I absolutely love the architectural elements of the building as well.

 

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I think most people think of the Golden Gate Bridge or Hollywood or the beach when someone mentions California, but Bakersfield and the surrounding area in the south is so very different. As we flew over the mountains, my coworker mentioned how much he enjoys the mountains and the vistas they afford – something that California can definitely offer in spades.

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It’s the end of the year; the time to consider your past year and to strive for a “new you” this coming year. I resolve to take more photos… and probably do other stuff too.

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“Peaks Above Fog”

July 21st, 2023

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“Unstuffed Pillows”

July 20th, 2023

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“Softer Hues”

July 19th, 2023

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“Stormy Sunset”

July 18th, 2023

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“End of the Month”

May 1st, 2023

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“Glistening Gold”

February 25th, 2023

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“Sunset View”

February 22nd, 2023

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