fourpointedstar

I suppose at this point, I’m kind of known for my “reflection distorted in glass” photos, but I really love this one. The monochrome makes the textures and details really stand out, and I absolutely love the architectural elements of the building as well.

I have 3 waterfall books that indicate that there is a waterfall or at least a larger rapids on this stream, and one of the books indicates that it is easy to reach. Without climbing down into the stream and then walking under the concrete culvert, I can’t tell if there is anything upstream. I also am VERY hesitant to walk upstream without knowing or seeing some indication that the land is still undeveloped at the least. So, this rapids/waterfall/something waits for another trip.

As I crested the hill so that I could see the rapids behind, I was literally awestruck by the view of Tyler Forks Dells Upper Falls. I gasped something like “that’s incredible!” as the scene came into view. The guide that I had stated “a series of small rapids forming an S curve”, but did NOT prepare me for how beautiful the Upper Falls are. The falls at the rear of the image are probably 200-250 feet away, which provides you with a sense of how expansive this view is. Although, you can’t tell it in this monochrome, the pops or orange leaves on the dark rocks, the yellow foaming water, and the sunlight illuminating the far side of the river added to beauty.

This engine sits flat underneath the Corvair’s “pickup” bed; making it even more of an oddity, not simply because it’s a van front end with a pickup back end.

During her interview, Lauri Novak showed us her photo project where she photographed shadows around the house – this photo is an homage to her project!

When we visited St Louis with the marching band in 2022, this was the view out of our hotel room. The night before, I wandered around near the Arch, and captured some fantastic photos, but in the morning this was our view – absolutely spectacular!

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The shadows from the melting ice or snow rolling down the glass were the perfect addition to all of the angles in this photo.

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Santiago Calatrava’s buildings never fail to impress. They’re almost always futuristic, but often can be mistaken for an animal in some kind of animated reality. Even his art installation in Chicago has a fluid and natural motion to it.

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If you crane your neck and look UP under Calatrava’s wonderful design, the view is magnificent!

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I took this photo while on a walk with my daughters.  While the effect of the straight roofline “feeling” curved is fascinating, but overall, the complex simplicity of the facade is what drew me to this capture.

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Sometimes photos just work better in monochrome, but this photo was nearly monochrome all by itself. This Corvette was pristine white and all of the dark accents were DARK – including the windows. Normally I’ll give a nod to the driver of a nice, well kept car like this one, but I don’t know if there was even a human driving it because the window tint was so dark.

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I tend to edit my photos based on how they “feel” and one of those feelings is balance.” The photo should appear balanced, but the sad part is that I don’t know that I could quantify what makes a photo balanced … but I know it when I capture the photograph or in most cases, when I edit the photograph.

Sarah and I took a day trip up to visit family in Milwaukee and on the way took a walk through Milwaukee. I may enjoy reflections in windows more than any other kinds of architecture photography.

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cz

As Sarah and I walked past 833 Michigan Street, we both noticed the modern abstract fixture hanging in the lobby. The installation definitely feels at home inside of the the large glass lobby, but the reflection of the US Bank building in the same windows blocked the view of the fixture. Fortunately, the contrast between the two makes a compelling photograph.

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A month ago at photo club, we had a group of photographers edit various photos so that the club could see various styles and choices. I submitted a few “bad” photos to the group of editors and one of my friends took my bad photo of this 918 Spyder and created an image similar to my edit above. I was amazed at how he’d taken a photo that I’d written off and created something gorgeous!
…to be clear, the image above is my recreation of his edit…

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Some of my favorite images over the years have been my more abstract images and the images with a strong use of negative space. The “bird’s wings” floating in the void of the blue sky was absolutely beautiful on the day of our visit, and I also enjoy the simplicity of the monochrome image.

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Can 16 pieces of glass arranged in 4 identical sets be photogenic?

After seeing a few fellow photographers capture this installation, I wanted to see the abstract art. I have photographed Calatrava’s Quadracci Pavilion before, and I really enjoyed integrating that architecture with “Iceberg”.

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I think most boys who grew up in the 1980s had a poster of the Countach on their wall, or they at least had a friend who had that poster on their bedroom wall. So it came as a surprise to see an obviously-not-from-the-80’s Countach at the Auto Show. As it turns out, Lamborghini sold a hybrid supercar and in honor of the 50th Anniversary of the original Countach, they gave this new hypercar that classic name. The styling is reminiscent of the original, and the new Countach looks even cooler in person!

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I drive past these wide open fields every morning, and in the winter they are typically very boring. But on Friday morning, the fog was perfect; just dense enough to conceal the horizon, and just thin enough to show the small patches of forest in the middle of the flat fields.

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I have often joked that no photography trip is successful unless I lose or ruin an article of clothing, and this trip was no less successful! As I was walking up the Roaring Creek to Lost Falls, I stepped into about 3 feet of gushy mud. My shoe barely made it back out as I pulled my foot back out.

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