photos from joshua l. smith
As the sun faded in and out of the cloud cover throughout our walk around the museum, the colors of the metal would change. The building would reflect the blues, yellows, and greys in the sky and then my Sony would attempt to record those colors as photographs. As I was editing the images, I found so many fun and fantastic color combinations; in this image, you can see the golds, coppers, and silvers as well as the grey, blue, and yellow in the clouds.
I struggled with editing this image. I love the composition, but getting the dark and light not too dark and not too light was a challenge; and I still don’t think I’ve got it right. The light parts just aren’t light enough, and I’ve always struggled with getting monochrome images to have nice lighter parts of the image without having just a texture-less white space. Each photograph teaches us a lesson and often that lesson is “you have a lot more to learn.”
I love the warble of reflected lines in glass, but it brought a smile to my face to discover the same thing happens with metals. The straight lines of the fantastic red-ish hues stand out against the reflected copper lines. I’ve photographed this exact phenomena in many windows but finding it present in steel was simply wonderful.
Unlike most of Frank Ghery’s most famous buildings, the Museum of Pop Culture is not simply shades of shimmering silver. The building has 5 or 6 unique segments in different colors, each segment with his signature curves and waves. Shadows and reflections wandered across each curve and surface, combining to form a lasting smile across my face.
The tiny streams that pass through the canyons communicate a powerful message – little actions over and over for a long time yield huge results. The daily trickle of water combined with the spring floods are a lot like our daily lives … for better or worse.
In my mind, traveling before 1830 would have been absolutely terrifying. In the past 200 years, transportation across country has progressed from walking and horseback to paved roads, trains, and even aircraft. This view upstream near the Vermillion River reminds me of all of those dangers.
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If you take a beginners’ photography class, your instructor is likely to bring up leading lines, rule of thirds, and removing items that aren’t needed as some of the keys to a great photo. I’d like to think that those are the reasons that I love this photo, but it’s probably only because I love the color red combined with the yellow hints in the center-line trim work.
During her interview, Lauri Novak showed us her photo project where she photographed shadows around the house – this photo is an homage to her project!
When we visited St Louis with the marching band in 2022, this was the view out of our hotel room. The night before, I wandered around near the Arch, and captured some fantastic photos, but in the morning this was our view – absolutely spectacular!
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In mid-December, I drove past the Indiana Dunes and stopped and took the first image; around this time, I’d decided that February would be all black & white images – more on that at the end of the month. I invited a photographer friend to come along on a dedicated trip back to the dunes and took photos with the intention of creating a week’s worth of black & white images.
We had a fantastic day of photography and conversation, and I ended up with quite a few more than 7 images and some images with fantastic texture and composition.
