fourpointedstar

I’ve never attended a portrait event before; in fact, I often joke that I will photograph anything, except for people.

For some reason when I saw the “House of Venom” photoshoot, I signed up. The models were very welcoming, and I’m very thankful for Baylee and Veronica for helping me. They posed without my directing and were kind and welcoming. After working with those two, I felt a bit more confident and was able to work with a few other models as well.

When I first arrived, I mostly took photos over other people’s shoulders (which was welcomed and encouraged by some of the photographers), and then worked with Baylee (pink dress), Nicki (blue dress), and Veronica (starry night top laying on the floor). That first image of Nicki is easily my favorite maybe followed by the monochrome profile photo of Veronika.

But I learned the most from this image of Loe, one of the organizers for the event. I would edit the image, export, then go back and edit it some more – something I almost never do. You can see the before and after – fixing the color, brightness, adding layers for focus, removing hair on her face, and so much more. I almost never spend more than 10 minutes fixing an image; it’s either right or it’s not. For this image I was weak technically; her pleasant expression made it worth the effort.

You might think that after 10 years of photographing butterflies in the same exhibit that it would be easier or boring or predictable, but during each visit, I have to search for the butterflies in a good setting within the reach of my lens, adjust for the proper lighting, and then capture the image while the butterfly is stationary.

The sunlight filters in and out, the butterflies often land far away or in an “ugly” location, or they take off right when you press the shutter button; so each year there is a challenge and a smile when I’m editing and see that I’ve captured a good image. Really, each one of those challenges is present in most photographic creation…

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Each winter, I make a sacred trek to Peggy Notebaert Nature Museum in Chicago. They have a wonderful year-round butterfly exhibit, and those colors are the perfect break from the dull nature colors. Even when the Illinois winter blesses us with snow instead of 43 shades of brown and grey, more of nature is still monochromatic.

Typically I focus on the butterflies; small pops of color whose unpredictable nature and flight paths make them a challenge to photograph, but this visit, I was inspired by a photo that Sarah took years ago – a simple image of the end of one of the vines. What images could I create in the butterfly house that weren’t of butterflies?

I do like these photos, but … (see previous post)

I don’t click the shutter button nearly as often as I used to; it’s not that I don’t take my camera out as much, it’s that I take fewer photos overall but have a higher percentage of photos that I like. Most often, I know before I click if the photo will be worthwhile, and I’m much more willing to wait for the right shot, scene, or composition. In short, I’m much less “spray and pray” with the shutter button that I used to be.

But barns? I found it very difficult to find inspiration and compositions with the barns and other abandoned structures on our trip. It’s not that the buildings weren’t interesting; it’s that I haven’t developed the mind’s eye for it. Once I brought the images into Lightroom, I couldn’t “see” why I took the photo to begin with – or worse – I could see and now I thought it was weak or absent.

Perhaps I need more practice (I do), but as I mentioned before; there’s only so much time to take pictures, and maybe I’d rather spend it with the subjects and scenes that I already love.

At some point in life, most of us realize that we don’t have time for everything that we’re interested in – we’re forced to drop a hobby because we don’t have time.

Photography reached that point for me a few years back; I used to photograph anything, but I discovered that I wouldn’t edit certain photoshoots or would be annoyed at editing certain shoots. I enjoy certain subject matter and certain photo topics and would like to spend more time with those.

Old, abandoned buildings is one of those topics; it’s not that I don’t like the photos that I come up with, it’s that I’d rather be photographing something else. This was true on our trip to Southern Illinois with Keith French; on two days, we visited abandoned churches and barns, and I found myself wanting to wander through the woods instead.

I do like these photos, but …