fourpointedstar

You might think that after 10 years of photographing butterflies in the same exhibit that it would be easier or boring or predictable, but during each visit, I have to search for the butterflies in a good setting within the reach of my lens, adjust for the proper lighting, and then capture the image while the butterfly is stationary.

The sunlight filters in and out, the butterflies often land far away or in an “ugly” location, or they take off right when you press the shutter button; so each year there is a challenge and a smile when I’m editing and see that I’ve captured a good image. Really, each one of those challenges is present in most photographic creation…

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Each winter, I make a sacred trek to Peggy Notebaert Nature Museum in Chicago. They have a wonderful year-round butterfly exhibit, and those colors are the perfect break from the dull nature colors. Even when the Illinois winter blesses us with snow instead of 43 shades of brown and grey, more of nature is still monochromatic.

Typically I focus on the butterflies; small pops of color whose unpredictable nature and flight paths make them a challenge to photograph, but this visit, I was inspired by a photo that Sarah took years ago – a simple image of the end of one of the vines. What images could I create in the butterfly house that weren’t of butterflies?

It’s no secret that I LOVE photographing light trails. I will visit the same spot OVER (January 2022) and OVER (January 2022) and OVER (April 2022) and OVER (November 2023) to see if I can get a NEW (November 2020), FRESH (January 2023), or INTERESTING (November 2023) photo.

But consistently I wonder, how can I create an image that challenges me this time – that presents a new challenge. At its core, capturing a light trail is just understanding how the light is moving and the exposure that’s need to not under or over-expose your image. So, how can I create an interesting composition with each visit?

What do you do when the light trails are from trains, when the pattern will only repeat over and over? The backdrop, scenery, and angle can change as seen in the two contrasting images: January 2021 & November 2023

How about if the space is tight and you’re below the action? Maybe you can lean on the really strong angles (November 2023) or depend on the architectural elements and allow the light trails to be an accent instead of the star of the show (also November 2023)? As it turns out, “Laser Bridge Light” (above) is one of my favorite compositions not just from that recent trip downtown, but also of light trails along the river.

And lastly, there are the images that challenge us compositionally and technically; here the balance of a very wide flat scene combined with the oncoming lights from traffic is more than I can conquer right now. I like this image better than my last attempt (November 2020); and I’ll be honest, previously, I have would have just not attempted to capture the image; but there is a much better image in that scene – I just have to find it.

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Each time that I explore a new area of Chicago, new details come to life. I’ve noticed that many of the historic buildings around Chicago have these bay windows often similar in style to the “Chicago Window” on them; but as I walked between the Fisher and Monadnock Buildings and then looked down the street, I noticed that this small area had many different examples of these historic bay windows on tall, early skyscrapers.

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Equally interesting are the exterior fire escapes on many of the older buildings. I know that there fire escapes will lend themselves to great photos, but I’m still searching for those images.

What do you SEE as you walk around your daily life? A photographer friend of mine recently asked about taking photos of another artist’s work; but in reality, aren’t photographers normally taking photos of other artist’s work? Even nature photographers are taking photos of mother nature’s work, right?

A craftsman who creates an object out of paint, clay, wood, stone, or metal can claim originality, but most of us are taking photos of something we didn’t create; instead we are creating art by adding or interpreting the existing environment or material.

With that in mind, go around your home and create art by adding or interpreting your own personal environment.

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