fourpointedstar

Each winter, I make a sacred trek to Peggy Notebaert Nature Museum in Chicago. They have a wonderful year-round butterfly exhibit, and those colors are the perfect break from the dull nature colors. Even when the Illinois winter blesses us with snow instead of 43 shades of brown and grey, more of nature is still monochromatic.

Typically I focus on the butterflies; small pops of color whose unpredictable nature and flight paths make them a challenge to photograph, but this visit, I was inspired by a photo that Sarah took years ago – a simple image of the end of one of the vines. What images could I create in the butterfly house that weren’t of butterflies?

I do like these photos, but … (see previous post)

I don’t click the shutter button nearly as often as I used to; it’s not that I don’t take my camera out as much, it’s that I take fewer photos overall but have a higher percentage of photos that I like. Most often, I know before I click if the photo will be worthwhile, and I’m much more willing to wait for the right shot, scene, or composition. In short, I’m much less “spray and pray” with the shutter button that I used to be.

But barns? I found it very difficult to find inspiration and compositions with the barns and other abandoned structures on our trip. It’s not that the buildings weren’t interesting; it’s that I haven’t developed the mind’s eye for it. Once I brought the images into Lightroom, I couldn’t “see” why I took the photo to begin with – or worse – I could see and now I thought it was weak or absent.

Perhaps I need more practice (I do), but as I mentioned before; there’s only so much time to take pictures, and maybe I’d rather spend it with the subjects and scenes that I already love.

Back in November 2023, Side Street Studio Arts hosted a photo walk; each participant was supposed to pick a “challenge” for the day, so I took every photo at 200mm. I’ve already posted several of my photos, so make sure to check those photos out too.

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What do you SEE as you walk around your daily life? A photographer friend of mine recently asked about taking photos of another artist’s work; but in reality, aren’t photographers normally taking photos of other artist’s work? Even nature photographers are taking photos of mother nature’s work, right?

A craftsman who creates an object out of paint, clay, wood, stone, or metal can claim originality, but most of us are taking photos of something we didn’t create; instead we are creating art by adding or interpreting the existing environment or material.

With that in mind, go around your home and create art by adding or interpreting your own personal environment.

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There are certain architectural elements that lend themselves to odd, abstract photographs, but in some instances, you must create the abstract image. As I walked around ECC some images just made sense – the concrete ceiling under the elevated walkway and the outdoor metal staircase. But the staircase’s metal railing and marbled look, I knew there was a photo; but as long as it was right side up, it just looked like stairs…

This image may be my favorite image that I captured on our Blue Line Photo Walk; I love the fact that you can wander around this image and see so many scenes, each one partially obscured by another scene. For me, the perfect detail is the two men chatting at the counter at the back of the repair shop.

I always want for my next photo to be better than the last image; a better composition or representation, or maybe a different, unique view. I’ve photographed fireworks many times, and I’ve seen some fantastic ideas using zoom and focus that I’d love to try…but what if I took my idea from Christmas lights – spinning the camera during the exposure – and tried it during a longer exposure of fireworks?

I love these types of photos; photos where you can’t quite tell what elements are part of the foreground, background, or reflection.

I love photographic reflections because they lead the viewer to look more than once, hopefully to investigate what caused the distortion, the odd lines, or the extra shapes. This image makes me take second and third glances each time … and I took the photo!

I absolutely love that the St. Regis is reflecting the buildings across the river almost as if you were viewing a painting.

p.s. After posting this image a few places, two people chimed in: “what if you edited this to be a square and removed the trees?” and “that looks like you could give it a pop of color!”. Now we all know people who offer their opinions a bit too much, but differing opinions can add value to our lives, and in this image’s editing, I think ultimately the image benefits from their opinions.

I ended up taking more than a handful of photos of the derelict (and possibly being refurbished?) Congress Theater, but of all of the images, I love this one the most.  The old run down theater locked behind a pad lock and gate, held back from the public and waiting for someone to find the right key.

I’ve taken this type of photo so many times – a building’s reflection distorted in the windows of another building.  The rough idea of the reflection is visible, but only at a conceptual level; almost like a third grader was tasked with cutting 50 straight lines as fast as they can without using a ruler.

As I stood waiting for fellow photo walkers to arrive, I could see the corner of the McDonald’s sign reflected in the triangular building across the street.  Moving to the left allowed the entire sign to be displayed in their windows; a great way to start a street photography photo walk.

There may only be a couple of weeks each year when the sun lines up perfectly with the doors on this building to create this photo.  If the sun is any lower, then the trees just outside the doors will block the rays too.  Opportunities like this abound everyday, we just have to pay attention … and bring a camera. 

A few months back, a photography mentor challenged me to find the photos in everyday life. I tend to capture many beautiful images on photo walks, but them rarely take photos outside of those “events”, so I began photographing the normal scenes in normal life. While this was taken while I wandered around ECC looking for photos, I would’ve likely ignored it without the challenge of looking for normal scenes.