fourpointedstar

Back in November 2023, Side Street Studio Arts hosted a photo walk; each participant was supposed to pick a “challenge” for the day, so I took every photo at 200mm. I’ve already posted several of my photos, so make sure to check those photos out too.

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It’s no secret that I LOVE photographing light trails. I will visit the same spot OVER (January 2022) and OVER (January 2022) and OVER (April 2022) and OVER (November 2023) to see if I can get a NEW (November 2020), FRESH (January 2023), or INTERESTING (November 2023) photo.

But consistently I wonder, how can I create an image that challenges me this time – that presents a new challenge. At its core, capturing a light trail is just understanding how the light is moving and the exposure that’s need to not under or over-expose your image. So, how can I create an interesting composition with each visit?

What do you do when the light trails are from trains, when the pattern will only repeat over and over? The backdrop, scenery, and angle can change as seen in the two contrasting images: January 2021 & November 2023

How about if the space is tight and you’re below the action? Maybe you can lean on the really strong angles (November 2023) or depend on the architectural elements and allow the light trails to be an accent instead of the star of the show (also November 2023)? As it turns out, “Laser Bridge Light” (above) is one of my favorite compositions not just from that recent trip downtown, but also of light trails along the river.

And lastly, there are the images that challenge us compositionally and technically; here the balance of a very wide flat scene combined with the oncoming lights from traffic is more than I can conquer right now. I like this image better than my last attempt (November 2020); and I’ll be honest, previously, I have would have just not attempted to capture the image; but there is a much better image in that scene – I just have to find it.

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One of my photographer friends has taken images that are similar to this concept; what happens if you photograph while the crossing guards close? But at the Metra crossing at National Street, you have additional options – what if you merge traffic, train, casino boat, and crossing guard?

I always want for my next photo to be better than the last image; a better composition or representation, or maybe a different, unique view. I’ve photographed fireworks many times, and I’ve seen some fantastic ideas using zoom and focus that I’d love to try…but what if I took my idea from Christmas lights – spinning the camera during the exposure – and tried it during a longer exposure of fireworks?

I’ve long wanted to capture an aircraft that is traversing the moon, but have not taken the time (or patience) to plan for that photo.  But the other night when I was walking into the house, I watched an aircraft nearly pass in front of the moon.  The resulting photo is not my best image of an airplane or of the moon, but I find the motion blur to add to the image.

We crossed the street at Dexter for the express purpose of the church photo; it was obvious to me that the street lamp and raised bricks were a perfect composition.  But I spent quite a bit of time working on the exact composition for the vines; I wanted to keep the sparse vines to the right, but the light pointed to the left … and I ended up with a photo that I wouldn’t normally take that I really enjoy.

My original thought was that tonight’s photo – the last of the week of flags – would be of a flag with the sunset from the drone, but a huge cloudbank rolled in and ruined that plan. So, I improvised. 🙂

A few years back, I attended a camera club meeting about street photography. One of the attendees asked about the privacy of those that you photograph, and the speaker responded “as long as they are in public, there should be no expectation of privacy.” A drone blurs this line even further; while a photo taken 300 feet away will to show fantastic resolution, you can easily see my neighbors back yards in this photo. Anyway, as much as I enjoyed trying to create an interesting composition with my own neighborhood, I won’t fly the drone over residential property any longer.

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You can easily create a strong image by composing in a way that highlights a strong central focus, and when I thought of this image, my intent was to capture the unique roof of the Elgin Transportation Center. However, once overhead, the tilt of Chicago and Highland became the obvious centers of the image; I simply love how the railroad tracks, row buildings, and the transportation center give the basis for the roads to “lean” against.

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I believe that Kristen has attended three of our Elgin photo walks; she has a great eye and great ideas.  She originally lined this photo up and spent her time capturing the scene with the Water Tower centered – and during that time, a dozen vehicles passed by interrupting her photos.  Then when I took my turn with the same location, I had to wait for several minutes to get my first car for the light trails that I wanted to capture.  I finally did capture an ambulance on Michigan Avenue (in the back), and three vehicles on Tower Court in the foreground.

I wonder if the Allerton Hotel felt the eerie presence of the observation deck on that cold and foggy night. The top of the John Hancock Tower almost disappears into the fog and mist leaving the blue and white lights as the only reminder of the dark obelisk.

I enjoy the rotating art displays in the courtyard between the Tribune Tower and the Apple Store on Michigan Avenue. Seeing “hope” in such a central point of the city is a wonderful reminder of something that we have to work at, to hope for a better future.
And of course, I had to shoot some light trails on any walk through Chicago!

When I attended the Lincoln Park Zoo Holiday Lights exhibit, I wanted to create something more than a record of someone else’s artwork. In the past, I have captured images that combined the lights with camera motion, and I wanted to take what I have learned in the past and apply it to this year’s visit. This abstracted tree gave me the opportunity to see the image as something more than “a tree wrapped in green lights”.

There’s something magical about the hustle and bustle of early December. The busyness but excitement for the celebrations to come; spending time with family, fewer work obligations, and parties. Watching the joy of the people skating in Millennium Park still brings a smile over a month later.

We stayed in a VRBO in the building to the right of this photo, and walking out to this patio / sidewalk each day was so welcoming. There was a variety of restaurants and entertainment along the first couple of floors and then housing in each building’s higher floors. Down near Skillet was the alleyway that leads up to Pike Place Market to the North, and as you can see, the stairs down led to the waterfront walk. But…don’t ask about the rent.

…view older images with the thumbnails below…

This might be my most serendipitous shot from our Seattle trip in October. Sarah and I were walking back to our VRBO that evening; Sarah wanted to look at a chocolate shop, but as we passed Union Street, the moon caught my eye. My feet were tired and I didn’t have my tripod with me, so this was taken with my Sony propped on top of a circular railing over the 3 story drop onto Post Alley. I probably took more than a dozen photos in my attempt to capture the scene; the ferris wheel would stop rotating, someone else would bump the railing, or I wasn’t standing perfectly still … but in the end I captured this 4 second exposure and only later discovered that it included Venus!

…view older images with the thumbnails below…

Our human sense of scale is often inadequate for what is around us; that tugboat is huge, longer than a semi truck. But that tugboat pales in comparison to even the small “lake” that it’s floating in, Lake Union.

When we visited St Louis with the marching band in 2022, this was the view out of our hotel room. The night before, I wandered around near the Arch, and captured some fantastic photos, but in the morning this was our view – absolutely spectacular!

This was the perfect sunset sky interrupted by the perfect little sliver of the moon, so of course, I pulled over and took a few photos.

Every time that I have been to the Wauconda Cruise Night, there is at least one Duesenberg at the end of the main street. They’re absolutely spectacular cars, and I love photographing them!

…view older images with the thumbnails below…

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I alway enjoy finding new locations to photograph light trails, and I found this particular spot about 2 years before I finally got down to photograph it. Grand Avenue crosses I-90/94 with a perfect view of the Willis Tower, but there’s also a Metra track there too!
However, that Metra line is not used that often on the weekends, so I will have to go back to capture a better photo with the train light trails too. (Oh, and LED billboards are terrible…)

…view older images with the thumbnails below…

Maybe it’s just me, but seeing the Sears/Willis Tower poking out from a scene was THE Chicago moment growing up. For a few years, my family lived on the south side, and it was a contest among the siblings to see who could see the skyline, specifically the Sears Tower, first when we would drive into the city.

On a recent photo walk, I found this little “window” created by the L tracks, the incredible rusty exterior contrasting with the sky, the Willis Tower, and the Merchandise Mart. I had to hop in between traffic on 2 different occasions to get this exposure correct; the afternoon sky was quite the contrast compared with the shadowed steel. This photo is one of my Top 3 favorite recent Chicago photos.

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I told my boss after the 2017 eclipse “slap me if I choose not to travel for the eclipse in 2024.” I chose Spenser, Indiana because it was a small town along the path of totality, and I wanted to avoid the crowds. I ended up shooting the eclipse from a grassy field outside of town along with maybe 50 other folks. The group shared Oreos and stories, and we generally enjoyed the warm, sunny weather.

As totality approached it was a very odd feeling; it was almost like dusk, but the colors in the sky were all wrong – an unnatural hue. Totality was more like a nice moonlit scene; the frogs in the pond didn’t understand what was going on and were discussing their confusion very loudly. But the humans were in awe of the scene; it’s an incredible experience.

Photographically, I had prepared myself to be content and happy no matter what – weather, camera malfunctions, etc. So, I am thrilled to have gotten this image during totality (and many other great images).

Anytime that I attend an event, there is always the question – “how many of my photos do OTHERS want to see from this event?” After all, I take way too many photos and seeing 38 images of the exact same car/plane/waterfall isn’t how most people want to spend their time.

So, as I was driving home after the Eclipse (confident that some of my photos were good), I wondered how I could share the Eclipse without 38 photos of a smaller and smaller wedges of yellow. How about a video? Just 2 minutes long.

Anyway, you should watch it. In fullscreen. On the biggest screen you can find. Obviously.

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I’ve captured many images from this location over the past 15 years, but it’s only been the past 2 or 3 years that I tried to capture light trails of the Wells Street bridge’s CTA tracks. I love the light trails in this photo, now I just need to capture a bicyclist with lights on their bike riding down the river walk ramp.

…view older images with the thumbnails below…

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…view older images with the thumbnails below…

…view older images with the thumbnails below…