fourpointedstar

You might think that after 10 years of photographing butterflies in the same exhibit that it would be easier or boring or predictable, but during each visit, I have to search for the butterflies in a good setting within the reach of my lens, adjust for the proper lighting, and then capture the image while the butterfly is stationary.

The sunlight filters in and out, the butterflies often land far away or in an “ugly” location, or they take off right when you press the shutter button; so each year there is a challenge and a smile when I’m editing and see that I’ve captured a good image. Really, each one of those challenges is present in most photographic creation…

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Each winter, I make a sacred trek to Peggy Notebaert Nature Museum in Chicago. They have a wonderful year-round butterfly exhibit, and those colors are the perfect break from the dull nature colors. Even when the Illinois winter blesses us with snow instead of 43 shades of brown and grey, more of nature is still monochromatic.

Typically I focus on the butterflies; small pops of color whose unpredictable nature and flight paths make them a challenge to photograph, but this visit, I was inspired by a photo that Sarah took years ago – a simple image of the end of one of the vines. What images could I create in the butterfly house that weren’t of butterflies?

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One of my favorite things to do in the winter in Chicago is to visit one of the conservatories to see the plants and blossoms. The splash of color does wonders to invigorate my spirit.
But then I tend to create monochrome images out of my trips because I love the textures.

The shadows from the melting ice or snow rolling down the glass were the perfect addition to all of the angles in this photo.

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Santiago Calatrava’s buildings never fail to impress. They’re almost always futuristic, but often can be mistaken for an animal in some kind of animated reality. Even his art installation in Chicago has a fluid and natural motion to it.

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If you crane your neck and look UP under Calatrava’s wonderful design, the view is magnificent!

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Perhaps someday I will grow tired of capturing the Quadracci Pavilion at the Milwaukee Art Museum, but for now, I love visiting that building. The whites and blues and sunlight are the perfect painters of abstract patterns; I can’t wait to go back!

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I tend to edit my photos based on how they “feel” and one of those feelings is balance.” The photo should appear balanced, but the sad part is that I don’t know that I could quantify what makes a photo balanced … but I know it when I capture the photograph or in most cases, when I edit the photograph.

Sarah and I took a day trip up to visit family in Milwaukee and on the way took a walk through Milwaukee. I may enjoy reflections in windows more than any other kinds of architecture photography.

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I know, I know … all that I did was turn the photo sideways, but when an architect lays out clean lines, and there’s a wonderfully warped reflection, well … that’s all that I needed to do, right?

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As Sarah and I walked past 833 Michigan Street, we both noticed the modern abstract fixture hanging in the lobby. The installation definitely feels at home inside of the the large glass lobby, but the reflection of the US Bank building in the same windows blocked the view of the fixture. Fortunately, the contrast between the two makes a compelling photograph.

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If you start looking, the reflections of any town will provide dynamic views and photographs. I love the unfinished nature of this photo; how the angle of the foreground building gives the appearance of an unfinished canvas that drops into the negative space provided by the soft blue sky. You will find many reflections throughout my architecture photography, and I know that there will be more to come as well!

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I was unable to track down exactly where this location might have been. It may be the valley in between Kingman, Arizona and the Arizona & California state line, but when viewing the desert from 25,000 feet, it’s a bit hard to determine specific landmarks.

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I think most people think of the Golden Gate Bridge or Hollywood or the beach when someone mentions California, but Bakersfield and the surrounding area in the south is so very different. As we flew over the mountains, my coworker mentioned how much he enjoys the mountains and the vistas they afford – something that California can definitely offer in spades.

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While flying over the dry and monochrome desert areas of northern New Mexico, we passed this one snowy cap. From my vantage point it looked quite out of place, but the Sierra Grande summit is all that remains of an extinct volcano. From a general Google search, it doesn’t look that steep or tall, but it is about 2,000 feet taller than any peak in the Appalachian range.

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I love photographing abstracts, and some of the coolest abstracts are in landscapes. On my recent work trip to Bakersfield, CA I took a few photos of the various landscape features that caught my attention.
This is St. Joseph, Missouri; and while that airport is in Missouri, everything else to the right (west) of the river is Nebraska. Rivers wind and change course over time, but state lines don’t.

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A month ago at photo club, we had a group of photographers edit various photos so that the club could see various styles and choices. I submitted a few “bad” photos to the group of editors and one of my friends took my bad photo of this 918 Spyder and created an image similar to my edit above. I was amazed at how he’d taken a photo that I’d written off and created something gorgeous!
…to be clear, the image above is my recreation of his edit…

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Why, yes, I did enjoy taking photos of the Chihuly installation at the Milwaukee Art Museum. Some day, Sarah and I will make it out to Seattle to his museum…

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There were several of these kinds of infinite depth items; the previous yellow photo is another example. However, this installation was different, there were more than a dozen of these cubes stacked on each other, and the blue lights’ activity was somewhat responsive to the people passing by. It definitely reminded me of something futuristic, like maybe it represented the vastness of space.

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We took the girls to the WNDR Museum – which if you’re not sure what that is, you should think “Instagram/Snapchat scenes”. It was honestly really cool; and several of the art installations were very well done. Each of the girls found a couple of rooms that they really enjoyed interacting with.

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Some of my favorite images over the years have been my more abstract images and the images with a strong use of negative space. The “bird’s wings” floating in the void of the blue sky was absolutely beautiful on the day of our visit, and I also enjoy the simplicity of the monochrome image.

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Anytime that I visit a location for a second or third time, I want to take photos that are unique to each visit. Which means that with each visit the photos get more challenging but the images get more inventive. The intersection of lines in the pavilion is full of unique images and surprises.

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Each glass facade was a different shade, with the 3rd panes being pink. Overall the exhibit was simple and yet delightful; I’m not one for reading into art, but I definitely enjoyed viewing and attempting to capture the Icebergs uniquely.

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There are always new views and angles at the Milwaukee Art Museum. The spire that supports the suspension bridge is such an understated portion of this entire building. The simplicity of those understated lines leads to the entire building’s exceptional beauty.

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Can 16 pieces of glass arranged in 4 identical sets be photogenic?

After seeing a few fellow photographers capture this installation, I wanted to see the abstract art. I have photographed Calatrava’s Quadracci Pavilion before, and I really enjoyed integrating that architecture with “Iceberg”.

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I think most boys who grew up in the 1980s had a poster of the Countach on their wall, or they at least had a friend who had that poster on their bedroom wall. So it came as a surprise to see an obviously-not-from-the-80’s Countach at the Auto Show. As it turns out, Lamborghini sold a hybrid supercar and in honor of the 50th Anniversary of the original Countach, they gave this new hypercar that classic name. The styling is reminiscent of the original, and the new Countach looks even cooler in person!

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I love taking photos of cars, but I’m not that much of a mechanical car guy; however, I do recognize the “Lingenfelter” name and was happy to talk with the owner of this beautiful Camaro with a very unique paint color.

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2025 Ford Mustang GTD, 2024 Chicago Auto Show
According to my notes, this was my 8th trip to the Chicago Auto Show to take photos. The show is much smaller than in previous years, but there’s always cool lines to photograph!

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