fourpointedstar

You might think that after 10 years of photographing butterflies in the same exhibit that it would be easier or boring or predictable, but during each visit, I have to search for the butterflies in a good setting within the reach of my lens, adjust for the proper lighting, and then capture the image while the butterfly is stationary.

The sunlight filters in and out, the butterflies often land far away or in an “ugly” location, or they take off right when you press the shutter button; so each year there is a challenge and a smile when I’m editing and see that I’ve captured a good image. Really, each one of those challenges is present in most photographic creation…

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Each winter, I make a sacred trek to Peggy Notebaert Nature Museum in Chicago. They have a wonderful year-round butterfly exhibit, and those colors are the perfect break from the dull nature colors. Even when the Illinois winter blesses us with snow instead of 43 shades of brown and grey, more of nature is still monochromatic.

Typically I focus on the butterflies; small pops of color whose unpredictable nature and flight paths make them a challenge to photograph, but this visit, I was inspired by a photo that Sarah took years ago – a simple image of the end of one of the vines. What images could I create in the butterfly house that weren’t of butterflies?

I do like these photos, but … (see previous post)

I don’t click the shutter button nearly as often as I used to; it’s not that I don’t take my camera out as much, it’s that I take fewer photos overall but have a higher percentage of photos that I like. Most often, I know before I click if the photo will be worthwhile, and I’m much more willing to wait for the right shot, scene, or composition. In short, I’m much less “spray and pray” with the shutter button that I used to be.

But barns? I found it very difficult to find inspiration and compositions with the barns and other abandoned structures on our trip. It’s not that the buildings weren’t interesting; it’s that I haven’t developed the mind’s eye for it. Once I brought the images into Lightroom, I couldn’t “see” why I took the photo to begin with – or worse – I could see and now I thought it was weak or absent.

Perhaps I need more practice (I do), but as I mentioned before; there’s only so much time to take pictures, and maybe I’d rather spend it with the subjects and scenes that I already love.

At some point in life, most of us realize that we don’t have time for everything that we’re interested in – we’re forced to drop a hobby because we don’t have time.

Photography reached that point for me a few years back; I used to photograph anything, but I discovered that I wouldn’t edit certain photoshoots or would be annoyed at editing certain shoots. I enjoy certain subject matter and certain photo topics and would like to spend more time with those.

Old, abandoned buildings is one of those topics; it’s not that I don’t like the photos that I come up with, it’s that I’d rather be photographing something else. This was true on our trip to Southern Illinois with Keith French; on two days, we visited abandoned churches and barns, and I found myself wanting to wander through the woods instead.

I do like these photos, but …

There were two trees that simply glowed yellow in the afternoon as I drove through my neighborhood. When I got home, I picked up my camera and walked around the block capturing the various autumn scenes, including this tree. I could have placed a lawn chair underneath it and stared into the majestic canopy for the rest of the afternoon, but I have a feeling the neighbor would have asked me to leave.

I love photographing mushrooms, and I was looking for mushrooms, but at our first stop I saw the small bush with so many caterpillars!  When I’m on a photo walk or trip, I often have to remind myself to stop and smell the roses of sorts; I’ll be so focussed on the waterfall that I’m hiking to or the reflections that I miss the other enjoyable elements that are around me … items like those fern fronds that so delicately extended from a massive stone.

I’ve taken many photos along this theme over the years – I absolutely love the strong silhouette border and pop of colors in the sunlight.

This grasshopper was so tiny that it was almost transparent, but it stood still for its portrait and even twitched its antenna when requested.  Maybe the freckles are from the sunny days before, and it didn’t tan, just got spots instead.

…view older images with the thumbnails below…

Don’t center the subject in your photo.
Well, what it I center it in the bottom third?
And what if there is a well lit leaf providing contrast and balance?
Sometimes, it’s ok to break the rules.

…view older images with the thumbnails below…

Nearly every year, I take at least one trip down to Peggy Notebaert Nature Museum to photograph the butterflies. The Nature Museum has a wonderful year-round habitat for the butterflies, and in the middle of winter with all of the dull colors of nature, it’s relaxing to photograph something with rich colors.

But a friend challenged me to photograph something unusual in black & white; so I chose the butterflies in my second trip to Peggy Notebaert. Can I create interesting images without depending on the vibrant colors of the plants and insects? I am very pleased with the results of my experiment.

I have some friends who will bring along spray bottles to add water drops to plants to make the image pop, but for this flower, the staff at the conservatory did the work for me!

I don’t ever shy away from editing an image from cropping to color correction to contrast; I almost never show an image before editing.

But every once in a while a scene presents itself that needs no editing, like this one. I did crop this, my lens simply didn’t have the reach for the crop that I wanted; and of course, I changed it to black & white. Some won’t like this image, even more will find an aspect to critique; and that’s fine, after all art is subjective.

I love converting photos of ferns to monochrome images; they’re almost monochromatic already, simply shades of green. However, in their full color, you can enjoy the yellow and red shades within the greens, as well as the brown details in the fibers and stems. For this curly image, I really enjoyed the peach-fuzz underneath the plant that you wouldn’t normally see.

One of the beauties of nature is the joy of looking closer. Not only does this fern remind me of nature’s zipper, the closer that you look at the plant, the more you can see and learn; the strands on the branch, the spots and texture on the fronds as well as the serration on the edges of the branches.

There is not much to say about this image; I love its simple composition.

I guess I’ve never really paid attention to the spines on various cactus plants, but I have definitely never noticed a cactus’s spines that are quite as curvy as this cactus’s are! I love the almost “barrier” like feel to the repeating leaves, if that’s what you would call them, and the repeating pattern makes me wonder if there’s a mathematical system behind their arrangement.

Photographing ferns is a bit challenging; almost like a monochrome image. There isn’t a flower for color or the contrast of bark and leaves; but while a fern may lack in color and contrast, it excels at texture and shape. I love the weave and repetition of these leaves!

I felt very bad for this little spider; it was just blowing in the wind on this tiny flower and twitching its legs every time that another insect came by. There was just 1 problem, this little spider was about the size of a grain of rice, and the bugs that were coming by? They were several times its size.

I love photographing these little hoverflies; they’re so tiny and true to their name, tend to hover from location to location. This little one seemed to be waiting for the sun to reappear.

There’s a certain delight in seeing the shag carpet look of this moth in the daylight. This beautiful insect just hung there for the entire hour that we were inside the butterfly house at Peggy Notebaert.

…view older images with the thumbnails below…

…view older images with the thumbnails below…

…view older images with the thumbnails below…

…view older images with the thumbnails below…

…view older images with the thumbnails below…

…view older images with the thumbnails below…