Tagged: light trails

It’s no secret that I LOVE photographing light trails. I will visit the same spot OVER (January 2022) and OVER (January 2022) and OVER (April 2022) and OVER (November 2023) to see if I can get a NEW (November 2020), FRESH (January 2023), or INTERESTING (November 2023) photo.

But consistently I wonder, how can I create an image that challenges me this time – that presents a new challenge. At its core, capturing a light trail is just understanding how the light is moving and the exposure that’s need to not under or over-expose your image. So, how can I create an interesting composition with each visit?

What do you do when the light trails are from trains, when the pattern will only repeat over and over? The backdrop, scenery, and angle can change as seen in the two contrasting images: January 2021 & November 2023

How about if the space is tight and you’re below the action? Maybe you can lean on the really strong angles (November 2023) or depend on the architectural elements and allow the light trails to be an accent instead of the star of the show (also November 2023)? As it turns out, “Laser Bridge Light” (above) is one of my favorite compositions not just from that recent trip downtown, but also of light trails along the river.

And lastly, there are the images that challenge us compositionally and technically; here the balance of a very wide flat scene combined with the oncoming lights from traffic is more than I can conquer right now. I like this image better than my last attempt (November 2020); and I’ll be honest, previously, I have would have just not attempted to capture the image; but there is a much better image in that scene – I just have to find it.

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In the last ten years, I have had the opportunity to photograph several dance festivals. Over those events, I have discovered a difficulty with photographing modern dance – modern dancers are less likely to perform a particular jump at a particular time in the musical score; their movement is often more like a twisting stream than a waterfall. As I watched the various performances at Side Street’s Going Dutch Festival this past November, I realized that a long exposure could reflect the beauty of the performer’s dance and expression; as short as a tenth of a second up to a full second of exposure.

And while some movement still seems to require the “moment in time” capture, I really like how these images reflect the movement and passion of these artists.

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One of my photographer friends has taken images that are similar to this concept; what happens if you photograph while the crossing guards close? But at the Metra crossing at National Street, you have additional options – what if you merge traffic, train, casino boat, and crossing guard?

 

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I believe that Kristen has attended three of our Elgin photo walks; she has a great eye and great ideas.  She originally lined this photo up and spent her time capturing the scene with the Water Tower centered – and during that time, a dozen vehicles passed by interrupting her photos.  Then when I took my turn with the same location, I had to wait for several minutes to get my first car for the light trails that I wanted to capture.  I finally did capture an ambulance on Michigan Avenue (in the back), and three vehicles on Tower Court in the foreground.

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I enjoy the rotating art displays in the courtyard between the Tribune Tower and the Apple Store on Michigan Avenue. Seeing “hope” in such a central point of the city is a wonderful reminder of something that we have to work at, to hope for a better future.
And of course, I had to shoot some light trails on any walk through Chicago!

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When I attended the Lincoln Park Zoo Holiday Lights exhibit, I wanted to create something more than a record of someone else’s artwork. In the past, I have captured images that combined the lights with camera motion, and I wanted to take what I have learned in the past and apply it to this year’s visit. This abstracted tree gave me the opportunity to see the image as something more than “a tree wrapped in green lights”.

 

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We stayed in a VRBO in the building to the right of this photo, and walking out to this patio / sidewalk each day was so welcoming. There was a variety of restaurants and entertainment along the first couple of floors and then housing in each building’s higher floors. Down near Skillet was the alleyway that leads up to Pike Place Market to the North, and as you can see, the stairs down led to the waterfront walk. But…don’t ask about the rent.

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This might be my most serendipitous shot from our Seattle trip in October. Sarah and I were walking back to our VRBO that evening; Sarah wanted to look at a chocolate shop, but as we passed Union Street, the moon caught my eye. My feet were tired and I didn’t have my tripod with me, so this was taken with my Sony propped on top of a circular railing over the 3 story drop onto Post Alley. I probably took more than a dozen photos in my attempt to capture the scene; the ferris wheel would stop rotating, someone else would bump the railing, or I wasn’t standing perfectly still … but in the end I captured this 4 second exposure and only later discovered that it included Venus!

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I alway enjoy finding new locations to photograph light trails, and I found this particular spot about 2 years before I finally got down to photograph it. Grand Avenue crosses I-90/94 with a perfect view of the Willis Tower, but there’s also a Metra track there too!
However, that Metra line is not used that often on the weekends, so I will have to go back to capture a better photo with the train light trails too. (Oh, and LED billboards are terrible…)

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I’ve captured many images from this location over the past 15 years, but it’s only been the past 2 or 3 years that I tried to capture light trails of the Wells Street bridge’s CTA tracks. I love the light trails in this photo, now I just need to capture a bicyclist with lights on their bike riding down the river walk ramp.

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“Empty Tracks”

February 13th, 2023

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