Tagged: lights

It’s no secret that I LOVE photographing light trails. I will visit the same spot OVER (January 2022) and OVER (January 2022) and OVER (April 2022) and OVER (November 2023) to see if I can get a NEW (November 2020), FRESH (January 2023), or INTERESTING (November 2023) photo.

But consistently I wonder, how can I create an image that challenges me this time – that presents a new challenge. At its core, capturing a light trail is just understanding how the light is moving and the exposure that’s need to not under or over-expose your image. So, how can I create an interesting composition with each visit?

What do you do when the light trails are from trains, when the pattern will only repeat over and over? The backdrop, scenery, and angle can change as seen in the two contrasting images: January 2021 & November 2023

How about if the space is tight and you’re below the action? Maybe you can lean on the really strong angles (November 2023) or depend on the architectural elements and allow the light trails to be an accent instead of the star of the show (also November 2023)? As it turns out, “Laser Bridge Light” (above) is one of my favorite compositions not just from that recent trip downtown, but also of light trails along the river.

And lastly, there are the images that challenge us compositionally and technically; here the balance of a very wide flat scene combined with the oncoming lights from traffic is more than I can conquer right now. I like this image better than my last attempt (November 2020); and I’ll be honest, previously, I have would have just not attempted to capture the image; but there is a much better image in that scene – I just have to find it.

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In the last ten years, I have had the opportunity to photograph several dance festivals. Over those events, I have discovered a difficulty with photographing modern dance – modern dancers are less likely to perform a particular jump at a particular time in the musical score; their movement is often more like a twisting stream than a waterfall. As I watched the various performances at Side Street’s Going Dutch Festival this past November, I realized that a long exposure could reflect the beauty of the performer’s dance and expression; as short as a tenth of a second up to a full second of exposure.

And while some movement still seems to require the “moment in time” capture, I really like how these images reflect the movement and passion of these artists.

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There are certain architectural elements that lend themselves to odd, abstract photographs, but in some instances, you must create the abstract image. As I walked around ECC some images just made sense – the concrete ceiling under the elevated walkway and the outdoor metal staircase. But the staircase’s metal railing and marbled look, I knew there was a photo; but as long as it was right side up, it just looked like stairs…

 

 

One of my photographer friends has taken images that are similar to this concept; what happens if you photograph while the crossing guards close? But at the Metra crossing at National Street, you have additional options – what if you merge traffic, train, casino boat, and crossing guard?

 

 

When I began paying attention to cars, the Lotus Esprit was maybe my second automotive love after the 80’s Monte Carlo SS. While the 80’s Monte Carlo was a familiar sight, I only saw the Lotus in magazine photos – that is, until I began attending car shows.

 

 

 

There are some photos that I like that I don’t want to “define” why; the crosses photo fits in that category – I love the symmetry and texture of the image.  As we walked along Spring Street, I saw my shadow walking along the brick but it took me a bit to capture the right photo since normally my elbow would be extending from my head when I click the shutter button.

 

We crossed the street at Dexter for the express purpose of the church photo; it was obvious to me that the street lamp and raised bricks were a perfect composition.  But I spent quite a bit of time working on the exact composition for the vines; I wanted to keep the sparse vines to the right, but the light pointed to the left … and I ended up with a photo that I wouldn’t normally take that I really enjoy.

 

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As I moved around the lobby in the Hemmens, these lights moved with me creating patterns and shapes. A centimeter this way or that and the entire frame would change; it’s one of the reasons that I love architecture photography, it really does embody that statement of “right place, right time”. The colors, angles, lighting are all impacted by exactly when and where you are standing.

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When I attended the Lincoln Park Zoo Holiday Lights exhibit, I wanted to create something more than a record of someone else’s artwork. In the past, I have captured images that combined the lights with camera motion, and I wanted to take what I have learned in the past and apply it to this year’s visit. This abstracted tree gave me the opportunity to see the image as something more than “a tree wrapped in green lights”.

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There’s something magical about the hustle and bustle of early December. The busyness but excitement for the celebrations to come; spending time with family, fewer work obligations, and parties. Watching the joy of the people skating in Millennium Park still brings a smile over a month later.

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I have always loved the more abstract forms in architecture and row after row of seating is no exception.  The Ironwood Theater had these chairs produced to be as close to the original seating as possible, and the chairs come in various widths so that you’re not always staring at the head in front of you.

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The Ironwood Theater is nearly 100 years old (built in 1928). Starting 30 years ago, a group of volunteers began restoring the theater to its former glory, and you can definitely see portions of their handiwork through the photos this week.

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I’ve captured many images from this location over the past 15 years, but it’s only been the past 2 or 3 years that I tried to capture light trails of the Wells Street bridge’s CTA tracks. I love the light trails in this photo, now I just need to capture a bicyclist with lights on their bike riding down the river walk ramp.

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“Lobby Artwork”

November 30th, 2023

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