photos from joshua l. smith
Back in November 2023, Side Street Studio Arts hosted a photo walk; each participant was supposed to pick a “challenge” for the day, so I took every photo at 200mm. I’ve already posted several of my photos, so make sure to check those photos out too.
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It’s no secret that I LOVE photographing light trails. I will visit the same spot OVER (January 2022) and OVER (January 2022) and OVER (April 2022) and OVER (November 2023) to see if I can get a NEW (November 2020), FRESH (January 2023), or INTERESTING (November 2023) photo.
But consistently I wonder, how can I create an image that challenges me this time – that presents a new challenge. At its core, capturing a light trail is just understanding how the light is moving and the exposure that’s need to not under or over-expose your image. So, how can I create an interesting composition with each visit?
What do you do when the light trails are from trains, when the pattern will only repeat over and over? The backdrop, scenery, and angle can change as seen in the two contrasting images: January 2021 & November 2023
How about if the space is tight and you’re below the action? Maybe you can lean on the really strong angles (November 2023) or depend on the architectural elements and allow the light trails to be an accent instead of the star of the show (also November 2023)? As it turns out, “Laser Bridge Light” (above) is one of my favorite compositions not just from that recent trip downtown, but also of light trails along the river.
And lastly, there are the images that challenge us compositionally and technically; here the balance of a very wide flat scene combined with the oncoming lights from traffic is more than I can conquer right now. I like this image better than my last attempt (November 2020); and I’ll be honest, previously, I have would have just not attempted to capture the image; but there is a much better image in that scene – I just have to find it.
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Each time that I explore a new area of Chicago, new details come to life. I’ve noticed that many of the historic buildings around Chicago have these bay windows often similar in style to the “Chicago Window” on them; but as I walked between the Fisher and Monadnock Buildings and then looked down the street, I noticed that this small area had many different examples of these historic bay windows on tall, early skyscrapers.
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Equally interesting are the exterior fire escapes on many of the older buildings. I know that there fire escapes will lend themselves to great photos, but I’m still searching for those images.
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Parking garages offer unique views of Chicago, so anytime that I park in a garage, I walk down the staircase. On my way to visit a client, I saw spotted this puddle’s reflection and in my mind, I wandered off to what I could create with just a boring staircase.
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There are certain architectural elements that lend themselves to odd, abstract photographs, but in some instances, you must create the abstract image. As I walked around ECC some images just made sense – the concrete ceiling under the elevated walkway and the outdoor metal staircase. But the staircase’s metal railing and marbled look, I knew there was a photo; but as long as it was right side up, it just looked like stairs…
For the past 10 years, I’ve wanted to take this trip with Keith; Sarah and I have also talked about taking a vacation down to Southern Illinois to see the natural beauty. For many years, the trip would conflict with work or kids activities, so we we’d say “next year, we’ll go on Keith’s workshop”.
We started the trip off with this fantastic image, and by the time the two and a half days were complete, Sarah and I had hundreds of fantastic images, and we’d made great new friends too.
This image may be my favorite image that I captured on our Blue Line Photo Walk; I love the fact that you can wander around this image and see so many scenes, each one partially obscured by another scene. For me, the perfect detail is the two men chatting at the counter at the back of the repair shop.
Back in 2023, I wanted to photograph the 4th of July fireworks, but not from the normal location on Chicago Street. So I found this little hole in the trees along the river. I nearly dropped my camera and tripod into the water because the hill was steep, but I really like the uniqueness of the photos.
There are two easy rules to follow when you start photographing the world around you: always have your camera ready and always look for a great photo. As I was driving home from the girl’s high school, I spotted the sliver of the moon with the dusk colors; the water in the pond offered a wonderful blue hue as well, so I turned on my hazard lights and hopped out of my car to capture the scene.
I love these types of photos; photos where you can’t quite tell what elements are part of the foreground, background, or reflection.
I love photographic reflections because they lead the viewer to look more than once, hopefully to investigate what caused the distortion, the odd lines, or the extra shapes. This image makes me take second and third glances each time … and I took the photo!
I absolutely love that the St. Regis is reflecting the buildings across the river almost as if you were viewing a painting.
p.s. After posting this image a few places, two people chimed in: “what if you edited this to be a square and removed the trees?” and “that looks like you could give it a pop of color!”. Now we all know people who offer their opinions a bit too much, but differing opinions can add value to our lives, and in this image’s editing, I think ultimately the image benefits from their opinions.
I ended up taking more than a handful of photos of the derelict (and possibly being refurbished?) Congress Theater, but of all of the images, I love this one the most. The old run down theater locked behind a pad lock and gate, held back from the public and waiting for someone to find the right key.
About 10 minutes earlier, another bus passed by and as it passed I noticed the reflection of the brickwork and the trees. I understand why this happens, but it kinda hurts my brain to realize that the bus has a bit of motion blur, but the reflection does not – making it a fantastic canvas.
I’ve taken this type of photo so many times – a building’s reflection distorted in the windows of another building. The rough idea of the reflection is visible, but only at a conceptual level; almost like a third grader was tasked with cutting 50 straight lines as fast as they can without using a ruler.